Cory Stearns, American Ballet Theatre
Why partnering couldn’t start soon enough: I had a crush on this girl at my school. Did anything happen? [Laughs] No. I had no confidence, so I never told her. She probably knew.
Top mentors: My first partnering teacher, Dimitri Papadakos, was a former football player, never a dancer, and his advice was all about timing. Today, I go to Kevin McKenzie and Marcelo Gomes. There’s pride in good partnering at ABT. Do the women take advantage of that? Some do. [Laughs] They’re impatient with men who aren’t accomplished partners. But others are extremely easy to work with. I will say, when you work with someone who really makes you swallow your pride, it makes you a better partner.
When to talk onstage: Only if something is wrong. For me, if you’re really in the show, you are that character. It becomes dangerous if I’m out there switching back and forth between Cory and Basilio, or Cory and Siegfried.
When things go wrong, do you take the blame? Oh, totally. I come offstage and say, “Sorry, that won’t happen again,” even though I don’t feel like it was me. [Laughs]
Top choice for next partner: It’s hard to say. There are people who are so well-known and it feels like an honor to dance with them, but a lot of them have huge egos. Notable exception: Polina Semionova—when I finally got to dance with her, it was amazing.


Jonathan Porretta, Pacific Northwest Ballet
Partnering mantra: Keep her on her leg and don’t tick her off.
Partnering rule: Take the blame, no matter what. That’s what Jock Soto instilled in us, at the School of American Ballet: If something doesn’t work, it’s the boy’s fault. Now, I might not say that in the dressing room later on, but in public I’ll take full responsibility. It’s the gentlemanly thing to do.
How to talk onstage: Through big smiles, of course. In Act II of Nutcracker, principal Kaori Nakamura and I have it down to a science. What do you talk about? Shopping, dinners, the dancing, how many more Nutcrackers we have to do.
Top choice for next partner: Here at PNB? Leta Biasucci. She’s a corps member, gorgeous, has amazing technique, she’s fun—everything a ballerina should be. Everything she does comes from her heart.


Andrew Veyette, New York City Ballet

Rotating partners: I did Allegro Brillante a couple of seasons ago with my wife Megan Fairchild, Tiler Peck and Sara Mearns—all in the same week. They were three different ballets. I didn’t even pretend otherwise.
Trick of the trade: Sara Mearns goes for broke on everything. I started doing this thing in rehearsal where I beep at her progressively faster if we’re taking something too far. And if we have things under control, it’s just be a few slow beeps here and there. That’s our warning system. [Laughs]
The truth about partnering your spouse: Social niceties go out the window. Megan and I used to say, “You know I hate it when my partner does that, so why are you doing it?” We’d be short with each other sometimes, just because we felt like we could be. We had to get used to having a professional—as well as a personal—relationship. It took some practice, but we get along great now. We’re more polite.
Pet peeve: Megan would say that I hate it when the girl drives, when she starts leading. I’m not doing anything else, so if you’re doing all of the partnering and the dancing, then I’m just walking around. Let me do my job. 


Vito Mazzeo, Dutch National Ballet

Best advice: My teacher Leonid Nikonov told me, “Don’t forget you’re a human being, not a barre. Try to match the ballerina, her épaulement, not just think about where your hands are.”
Trouble in the bedroom: Once in the bedroom pas de deux of Helgi Tomasson’s Romeo & Juliet, Yuan Yuan Tan woke up 16 counts early, when Juliet is supposed to be sleeping and Romeo is supposed to just watch her. I didn’t know what to do! So we started to kiss, for 16 counts, which doesn’t even make sense with the story. We were talking and almost laughing, with Yuan Yuan saying, “I’m sorry, Vito!”
Diva ballerinas: The divas are usually the coaches at the front of the room. [Laughs] My coach for many years was Carla Fracci and she is a diva, you know? But she taught me so much, especially about Giselle.
Top choice for next partner: Sylvie Guillem. I have so much love for her, and it’s not because technically she’s amazing. She has something inside her heart and brain that is always working and she knows how to manage herself. She’s unbelievable, that woman.


Fabrice Calmels, Joffrey Ballet

Best way to approach a new partner: Do some homework first, and get to know what kind of a ballerina she is, whether athletic, someone who can really jump and turn, or more lyrical, flexible. The lyrical ballerinas, you have to maneuver them more—they are more work.
Hero: My very good friend, Marcelo Gomes. His eyes aren’t always glued to the woman. It’s a great partner who can just feel the ballerina, where she is, at any time.
Pet peeve: When a ballerina is insecure onstage and a mistake happens and she doesn’t know how to just absorb it and move on, so you hear these sounds of frustration about the performance.
Top mentor: Attilio Labis at the Paris Opéra Ballet School. He focused on teaching you how to do things the opposite way. For example, people use their right hands a lot, so he made us work using only the left hand.
Partnering mantra: Take care of her. She is your responsibility from the moment you walk onto that stage.

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Ballet Stars
Elisabeth Beyer. Photo Courtesy VAM Productions.

Congratulations to the 2018 YAGP winners! After months of semi-finals, 1,800 dancers from around the world were chosen to attend a week of finals in New York, competing for ballet scholarships and contracts. We've been following the action all week (you can catch up on our backstage coverage, here). The 2018 competition wrapped up on April 19 with the Stars of Today Meet The Stars of Tomorrow gala which featured performances from pros like American Ballet Theatre's Isabella Boylston and New York City Ballet's Tiler Peck. Following today's awards ceremony, YAGP has just announced this year's winners (aka the dancers you're going to want make note of). Check out the full list and highlights from the competition below.

Senior Women

1st Place: Elisabeth Beyer (15), Ellison Ballet - Professional Training Program, NY, USA

2nd Place: Guo Wen Jin (16), Shanghai Dance School, China

3rd Place: Seon Mee Park (18), Korea National University of Arts, Korea

3rd Place: Basia Rhoden (15), Master Ballet Academy, AZ, USA


Guo Wen Jin; Courtesy VAM Productions

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Ballet Stars
Photo by Rob Becker, courtesy DePrince.

In January, a commercial for Chase's QuickPay Mobile App starring Michaela DePrince aired on national television. In March, it was announced that Madonna would be directing the movie version of DePrince's autobiography. And in April, she graced the cover of Harper's Bazarre Netherlands. With all the buzz, it's easy to forget that the Dutch National Ballet soloist has been sidelined since August 2017 with a ruptured Achilles tendon. Pointe checked in with DePrince to see how her recovery is going.

Last fall, you ruptured your Achilles tendon. How did that happen?

It was the first of August. I was in Sicily doing an event with Google. We had dinner at a temple and it was just absolutely incredible. I'm kind of clumsy outside of ballet, so I thought it would be safer if I took my shoes off. Then Lenny Kravitz starts to sing a song and he dedicates it to me. I got up and went to go sit next to him on the stage. When I got up from sitting, I stepped in the wrong place at the wrong time. I knew right away that I ruptured my Achilles. They brought me to an ambulance and took me to the hospital. I flew back to the Netherlands the next day and had an appointment with the doctors here in Amsterdam. They said, "Yeah, you ruptured three quarters of your Achilles." And then on August 14, I had surgery.

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Ballet Stars
From left: Jennifer Stahl, Lonnie Weeks and Sasha De Sola in rehearsal for Trey McIntyre's new work. Photo by Christian Peacock for Pointe.

Photography by Christian Peacock

Summer is always a lively time at San Francisco Ballet, as the dancers return from vacation and launch into rehearsals for the upcoming season. But last July through September felt absolutely electric with creativity as the company created 12 world premieres for Unbound: A Festival of New Works, a cutting-edge program that will run April 20–May 6 at the War Memorial Opera House.

Artistic director Helgi Tomasson invited a wish list of international choreographers to participate: David Dawson, Alonzo King, Edwaard Liang, Annabelle Lopez Ochoa, Cathy Marston, Trey McIntyre, Justin Peck, Arthur Pita, Dwight Rhoden, Myles Thatcher, Stanton Welch and Christopher Wheeldon. Each got about 12 dancers, three weeks' studio time and, aside from a few general guidelines, total artistic freedom.

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Ballet Careers
Make sure you're comfortable slipping into pointe shoes for center. Photo by Jim Lafferty.

I was offered a company contract (my first!) starting this fall. What should I do in the meantime to make sure I'm as prepared as possible? —Melissa

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News
Olga Smirnova. Photo by Quinn Wharton.

Several weeks ago, Youth America Grand Prix announced that the lineup for tonight's Stars of Today Meet the Stars of Tomorrow gala at Lincoln Center's Koch Theater would include Bolshoi Ballet principal Olga Smirnova and first soloist Jacopo Tissi. But an article in Page Six published last night states that Smirnova and Tissi were denied visas to enter the US.

YAGP organizers "believe the Department of Homeland Security's decision may be motivated by the myriad tensions between the superpowers," says the piece, noting that "Smirnova is so revered in Moscow that her treatment could create a Russian backlash." The Mariinsky Ballet's Kimin Kim did receive a visa and was allowed to perform as scheduled.

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Ballet Stars
Houston Ballet principal Connor Walsh getting early practice as a leading man. Photo courtesy Connor Walsh

It's that time of year again—recital season! And not so long ago, some of your favorite ballet dancers were having their own recital experiences: dancing, discovering, bowing, laughing, receiving after-show flowers, making memories, and, of course, having their pictures taken! For this week's #TBT, we gathered recital photos—and the stories behind them—from five of our favorite dancers.

Gillian Murphy, American Ballet Theatre

Murphy gets ready for her role as "Mary Had a Little Lamb." Photo courtesy Gillian Murphy.

"This photo was taken by my mom when I was 11, waiting in the dressing room (the band room of West Florence High School in South Carolina) before I went onstage as 'Mary' for a recital piece featuring 3-year-olds as little lambs.I had so much fun being the teacher's assistant in the baby ballet class each week, particularly because my little sister Tessa [pictured below] was one of the 3-year-olds. I remember feeling quite grown up at the time because I was dancing in the older kids' recital piece later in the program, but in this moment I was just looking forward to leading my little lambs onstage in their number."

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