Summer Intensive Survival

Summer Intensive Strategies: How to Choose the Program That Will Bring You Closer to Your Goals

Students at CPYB's 5-week intensive. Photo by Rosalie O'Connor, Courtesy CPYB.

This story originally appeared in the December 2011/January 2012 issue of Pointe.

For preprofessional ballet dancers, the new year means one thing: summer intensive audition season. As you start thinking about which auditions to add to your calendar, consider your professional and technical goals. What do you want to achieve this upcoming year? Your dance resolutions should be at the top of your mind when deciding where to seek out summer training.

Resolution: Land A Contract
If you're going to be looking for a job soon, consider attending a summer intensive affiliated with a professional company—particularly one that you're interested in dancing for. Studying at a prospective company's studios can serve as an extended audition, since it gives the artistic staff a few weeks to observe your technique, demeanor and performance skills, and determine if you would be a good fit for the company. Skyler Lubin decided to take this approach when she was a student at Miami City Ballet School. She stayed at MCB for the summer to show her dedication to the institution—and to have an extra chance to prove her talent in the program's culminating performance. “I really wanted artistic director Edward Villella to see me onstage in the final show," Lubin says. She believes the opportunity aided in her acceptance into the company, where she is now a corps member.

This strategy can also help you learn about the company. By working with a faculty made up of current and former company members, you'll get an inside look at exactly what the dancers are like. Rehearsals and variations classes will let you discover how the company's repertoire feels on your body. You'll get a sense of the atmosphere, and be able to decide whether it's a place where you could thrive as a dancer.

Resolution: Find Better Year-Round Training


If you're still a few years away from company life but want to set yourself on a path to get there, you could use the summer to scout out a top-notch conservatory. When Joseph Steinauer discovered his love for ballet in college, he knew he needed to fast-track his ballet training if he was going to bring his technique up to par. So he spent the summer after his sophomore year at Central Pennsylvania Youth Ballet. The 5-week intensive helped him decide to leave college to study year-round at CPYB.

“I was attracted to the classicism and intensity of the training," explains Steinauer, now a corps member at the National Ballet of Canada. Although the summer is less intense than CPYB's year-round program, it gave Steinauer a good taste of what the conservatory had to offer. He felt the male training was especially strong, citing Laszlo Berdo's men's classes.

If you have specific needs, whether it's teachers who can help you with your jumps or strong modern classes to improve your versatility, use the summer as a trial period to investigate whether a particular program might fit the bill.

Resolution: Expand Your Repertoire
Do you want to grow in a particular style that your home studio doesn't offer? If you dream of joining a contemporary company but train at a Vaganova-based school, for example, prepare yourself by seeking out a program where you'll learn more modern, cutting-edge ballets. During her summer at San Francisco Ballet School, Nicole Ciapponi had a chance to receive coaching from former SFB principal Tina LeBlanc on the renowned William Forsythe work The Vertiginous Thrill of Exactitude. “I had always loved Tina's dancing and everything by William Forsythe," says Ciapponi. Most of Ciapponi's previous experience was in classical choreography, so working on a Forsythe ballet gave her a chance to challenge herself with more contemporary movement—a skill she knew she needed to cultivate before joining a company like SFB. In addition to developing a unique relationship with LeBlanc, the coaching helped prepare Ciapponi for company life: She performed Vertiginous this past year as a corps de ballet member with SFB (see “Best of The Best," page 60).

Aside from considering a program's company and school affiliations, style of training and repertoire, don't forget about the environment fostered by its faculty. As Lubin advises, “There has to be a balance of good people and good ballet." Speak to friends about their past training experiences, read dance blogs and reach out to potential programs of interest to find a summer intensive where you will be both encouraged and challenged.


Scholarship Savvy
For many dancers, the stress of summer intensive auditions is centered around getting in. But others are looking for more than that. “I wouldn't have been able to attend The Joffrey's summer intensive without a scholarship," Dara Holmes, now a member of The Joffrey Ballet, states frankly. She encourages young students to audition for programs where they believe they have a good shot at a scholarship. Think about which summer programs tend to accept dancers with your training background, style and body type—or, as in Holmes' case, programs that have already shown an interest in your dancing. Those are the ones that are most likely to entice you further by sending some money your way.

Even if you don't need the financial assistance, earning a scholarship indicates that the school is especially interested in working with you. You are bound to receive quality attention and exposure at a program that is willing to cover some or all of your summer training costs. For schools affiliated with a company, a scholarship could also mean, as it did for Holmes, that the company's artistic director views you as a potential company dancer.

Show Comments ()
News
New San Francisco Ballet principal Wei Wang in Helgi Tomasson's Concerto Grosso. Photo by Erik Tomasson, Courtesy SFB.

Promotions season is well underway. Earlier this spring we covered exciting changes at Boston Ballet and Pennsylvania Ballet; now we're back with news from six more companies—English National Ballet, San Francisco Ballet, National Ballet of Canada, Miami City Ballet, Ballet West and Pittsburgh Ballet Theatre. (Stay tuned throughout the summer as additional companies release their updated rosters.) Here's who's doing a happy dance.

Keep reading... Show less
popular

Cleaning is a daily procedure. Proper maintenance will help extend the life of your floor and protect its special slip-resistant surface.

Keep reading... Show less
Ballet Stars
Quinn Wharton

San Francisco Ballet soloist WanTing Zhao counts Old Hollywood actress Audrey Hepburn and current "it" model Bella Hadid as her major style icons—something which comes across in her own sartorial looks. Choosing classic pieces with on-trend elements (like her black turtleneck dress with its lace-up sleeves), Zhao also has an eye for detail, adding pops of bold color and accessorizing with delicate hoop earrings. "I usually wear turtlenecks, high-waisted jeans and sneakers," Zhao says of her off-duty style. "It's chic and comfy."

That description carries over to her studio look, too, which Zhao says is always a leotard with pink tights. "I usually wear my hair in a low bun with either a side or center part, and I like to wear a little bit of foundation, eyeliner and mascara—all from Tom Ford," she says.

Quinn Wharton

Keep reading... Show less
Ballet Stars
Canadian junior finalist Mya Kresnyak in a variation from "Paquita." Photo by Richard Finkelstein, Courtesy USA IBC.

On June 10, 119 dancers from 19 countries gathered in Jackson, MS to compete in the USA International Ballet Competition. Today, the USA IBC announced the list of 32 finalists, who will compete for medals and cash awards in Round III, held June 19-21. All of the finalists will receive a travel stipend, and medalists and award winners will be announced at the competition's gala on June 22. See the full list below, and stay tuned all week on our Facebook and Instagram pages as we bring you the latest from Jackson, live.

Keep reading... Show less
News
Ulrik Birkkjaer and Susanne Grinder in Bournonville's Napoli." Photo by Costin Radu, Courtesy Jacob's Pillow Dance.

On June 20, Royal Danish Ballet will open the Jacob's Pillow Dance Festival with a weeklong run in the historic Ted Shawn Theatre. The celebrated relationship between the Copenhagen-based company and the Pillow dates back to 1954, when leading RDB soloist Inge Sand stepped in to replace a dancer from another company at the last minute, resulting in her U.S. debut. Her popularity led to the company's inaugural U.S. performance at the festival the next summer. According to the Pillow's director of preservation, Norton Owen, this was also the first time that works by August Bournonville, the famed 19th-century Danish choreographer, were seen in this country. Following its success at Jacob's Pillow, RDB made its New York City debut at the Metropolitan Opera House in 1956, and in 1957 the King of Denmark knighted Jacob's Pillow founder Ted Shawn for his role in bringing Danish ballet to America. Over the next 20 years, soloists from RDB returned to the Berkshires frequently to great acclaim; their most recent visit was in 2007.

Keep reading... Show less
Ballet Stars
Photo by Amitava Sarkar, Courtesy Houston Ballet

Houston Ballet soloist Harper Watters has a good thing going on. Not only is he one of the company's rising young dancers, but he's also a ballet celebrity on social media, where he charts his life on Instagram and on his hugely popular YouTube series, "The Pre Show" (which he describes as "tons of ballet, banter, boys and lots of backstage shenanigans").

The Dover, New Hampshire, native, who seems just as comfortable in a pair of pink heels as he does onstage, trained at Walnut Hill School for the Arts and Portsmouth School of Ballet. While a member of Houston Ballet II, he landed an apprenticeship with the company after winning the Contemporary Dance Prize at the 2011 Prix de Lausanne. He joined the main company that same year and was promoted to soloist in December 2017. Known for his big personality, elegantly long lines and sensual flow in contemporary work, Watters, 26, is ready to take on the next phase of his career. He recently spoke with Pointe about his new rank and his mission to help others feel proud of who they are.

Keep reading... Show less
News
Sara Webb and Connor Walsh with Artists of Houston Ballet in "Swan Lake" choreographed by Stanton Welch. Photo by Amitava Sarkar, Courtesy Houston Ballet.

Wonder what's going on in ballet this week? We've pulled together some highlights.


The Australian Ballet's Triple Bill, Verve, Includes New Work by Company Dancer Alice Topp

Verve, a triple-bill program from The Australian Ballet running June 21-30 in Melbourne, will host revivals of works from resident choreographers Stephen Baynes and Tim Harbour, as well as a world premiere from company coryphée Alice Topp. Topp's Aurum is inspired by kintsugi, a Japanese art in which broken ceramics are mended using lacquer colored with silver or gold, so that the cracks are emphasized, instead of hidden. In Aurum, Topp applies that philosophy to the human ability to find beauty in vulnerability and imperfections. Completing the bill are Baynes's Constant Variants, which pairs neo-classical ballet with a Tchaikovsky score, and Harbour's Filigree and Shadow, a contemporary ballet featuring striking set and lighting design.

Keep reading... Show less

Sponsored

Videos

Sponsored

mailbox

Get Pointe Magazine in your inbox

Sponsored

Win It!