If you've got your heart set on dancing for, say, San Francisco Ballet, you should attend a school that specializes in Balanchine, right? Not necessarily: It's actually a misconception that you have to train in a particular style or technique in order to pursue a career in that style. Ellison Ballet in New York City—which specializes in Vaganova technique—is living proof: Graduates of Ellison's year-round program and summer intensives go on to ballet companies that perform in a wide range of styles, and use what they've learned from Vaganova to land jobs.
Here are five reasons why studying Vaganova technique can actually make you a sought-after dancer for any number of ballet companies:
Morgan in rehearsal for Firebird. "When something is taken away from you, you appreciate it 10 times more once you have it back, she says. Lilly Echeverria.
A couple years ago, if you had told Kathryn Morgan that she'd be a soloist at Miami City Ballet, learning roles like the Firebird, Mercedes in Don Quixote and the Striptease Girl in Slaughter on Tenth Avenue, she would have said you were crazy. But last April, seven years after she was diagnosed with hypothyroidism and left her career at New York City Ballet behind, Morgan signed a professional company contract once again.