How NYCB Dancers Prep Their Shoes

Pointe shoes are just as fascinating to us ballet veterans as they are to non-dance folks—especially when you're looking at how the star dancers modify their own. Recently, the New York Times followed New York City Ballet dancers backstage during Nutcracker performances to see how they customize the 10–12 pairs they each go through a week. While the article explains a lot of what we already know about shoe prep, it's cool to compare your own methods to NYCB's stars. Tiler Peck uses the slam-the-box-against-the-wall method. Janie Taylor closes them in doors. Dental floss is a common substitute for thread. And the company-wide glue of choice is Satellite City Hot Stuff—a furniture glue. Which NYCB dancers' methods are most like yours? Click here to read the article.

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Left to right: Dance Theatre of Harlem's Daphne Lee, Amanda Smith, Lindsey Donnell and Alexandra Hutchinson in a scene from Dancing Through Harlem. Derek Brockington, Courtesy Dance Theatre of Harlem

Dancers Share Their Key Takeaways After a Year of Dancing on Film

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons, whether conceiving cinematic, site-specific pieces or filming works within a traditional theater. And while there is a consistent sentiment that nothing will ever substitute the thrill of a live show, dancers are embracing this new way of performing.

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Bethany Kirby, Courtesy Tulsa Ballet

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But what would it mean for 100 percent of a ballet company to be vaccinated? Tulsa Ballet artistic director Marcello Angelini is about to find out—and hopes it brings the return of big ballets on the big stage.

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