Herman Cornejo in Twyla Tharp's In The Upper Room

Rosalie O'Connor, Courtesy ABT

Former ABT Standout Erica Cornejo Joins Brother Herman Onstage for a Special Performance

In September 2004, a pair of siblings graced the Dance Magazine cover. Inside, the accompanying story wrote, "When the Cornejos dance, it's never merely a variation—it's a complete performance."


A Dance Magazine cover featuring the Cornejos leaping among illustrated planets and stars

The brother and sister from Buenos Aires were winning over American Ballet Theatre fans, garnering "fervent applause and almost as fervent reviews," wrote Hanna Rubin.

Erica was beloved for her musical phrasing and easy jumps, while Herman won over audiences with his technical brilliance and elegant lines. Both oozed charisma onstage.

But two years after the story came out, Erica left New York City to join Boston Ballet as a principal, and fans lost the ability to see the pair onstage together. Until now.

Although she retired from performing in 2017 and now directs Integrarte ballet school in Boston, Erica is making a special return to the ABT stage on October 26 to dance a pas de deux with Herman in celebration of his 20th anniversary with the company.

The piece holds extra significance for the two dancers: The Cornejos first performed El Chamuyo at a gala for Argentina held at the Metropolitan Opera House's grand tier in 1998. At the time, they were members of ABT star Julio Bocca's touring company, Ballet Argentino. So while in New York for the performance, they took company class at ABT—and were quickly asked to join the Studio Company. Now, their story is coming full circle, celebrating a milestone with the same work that brought them to the company in the first place.

The special evening will also see Herman dancing the title role in Apollo (his New York debut) and a leading role in Twyla Tharp's new A Gathering of Ghosts. We expect nothing less than "fervent applause."

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Hi Everyone,

These are challenging times. The social distancing measures brought about by COVID-19 has likely meant that your regular ballet training has been interrupted, while your performances, competitions—even auditions—have been cancelled. You may be feeling anxious about what the future holds, not only for you but for the dance industry. And that's perfectly understandable.

As you adjust to taking virtual ballet class from your living rooms, we here at Pointe are adjusting to working remotely from our living rooms. We've had to get a little creative, especially as we put our Summer Issue together, but like you we're taking full advantage of modern technology. Sure, it's a little inconvenient sometimes, but we're finding our groove.

And we know that you will, too. We've been utterly inspired by how the dance community has rallied together, from ballet stars giving online classes to companies streaming their performances to the flood of artist resources popping up. We've loved watching you dance from your kitchens. And we want to help keep this spirit alive. That's why Pointe and all of our Dance Media sister publications are working nonstop to produce and cross-post stories to help you navigate this crisis. We're all in this together.

We also want to hear from you! Send us a message on social media, or email me directly at abrandt@dancemedia.com. Tell us how you're doing, send us your ideas and show us your dance moves. Let the collective love we share for our beloved art form spark the light at the end of the tunnel—we will come out the other side soon enough.

Best wishes,

Amy

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