#FBF: Mikhail Baryshnikov and Lesley Collier in Ashton’s Rhapsody

Photo by Nobby Clark/Arena PAL via The Royal Opera House on Flickr.

Sir Frederick Ashton created his 1980 ballet Rhapsody in honor of Elizabeth The Queen Mother (mother of Elizabeth II) for her 80th birthday. I’d say this serene, elegant pas de deux is fit for a queen—and for the strengths of its lead dancers, Mikhail Baryshnikov and Lesley Collier, on whom the roles were created. In her shimmering blush-pink dress, Collier wafts across the stage, feet fluttering to the piano’s peaceful notes. With his effortless partnering and her full, graceful port de bras, it seems as if there’s no transition from floor to air. My favorite moment is when Collier ducks under each of Baryshnikov’s arms and he reacts with a barely-there embrace, eyes gazing outwards. They strike a perfect balance between dancing for themselves, for each other and for us.

Baryshnikov actually requested the commission for Rhapsody. Judging by the thriving success of the Baryshnikov Arts Center, the creation and performance space he founded in New York City 25 years later, he’ll continue to be a pioneer in the arts for years to come. Lesley Collier became a widely respected coach and teacher after her retirement from the stage. Below, watch her lead Royal Ballet principals Natalia Osipova and Steven McRae in rehearsals for the sublime ballet she starred in. Happy #FlashBackFriday!

For more news on all things ballet, don’t miss a single issue.

Latest Posts


Getty Images

How Do You Like Our New Look?

Notice anything different about our site? Perhaps the bigger, splashier images and the fun new fonts?

Welcome to the new pointemagazine.com! We just got a fabulous new redesign, and we can't wait to share the results with you. Have a look around—our exclusive dance photography looks more beautiful than ever, and our stories are easier to navigate. We think you'll agree, ballet has never looked this good!

Intern at Pointe!

Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

Keep reading

There’s a New Dance Podcast in Town

Hi there, dance friends. I'm the editor in chief of Dance Spirit and content director of The Dance Edit newsletter. And I'm here with a bit of news sure to excite dancers, dance enthusiasts, and other assorted dance obsessives: The Dance Edit is launching a podcast!

Join me and other editors from Dance Magazine, Dance Spirit, and Pointe for The Dance Edit Podcast, a weekly roundtable discussion of the top stories moving and shaking (not sorry) the dance world. Beginning March 5th, we'll get you up to tempo (also not sorry) in about 15 minutes every Thursday morning.

Keep reading