Exclusive: Watch This Site-Specific Short Film Starring Members of NYCB

Yesterday we told you about New York City Ballet corps dancers Emily Kikta and Peter Walker, the duo behind the Saratoga Performing Arts Center's video campaign in advance of NYCB's summer residency. Each day this week, SPAC has released one of eight short films on its website and social media channels that were choreographed, co-directed and filmed by the two dancers. And they're giving us an exclusive look at the last one of the series.

Shot on location this spring in Saratoga Springs and Troy, New York, these films shows NYCB dancers frolicking in train stations, parks, race tracks and other iconic locations in the area. Fittingly, this last one was filmed onstage at SPAC, where the company opens its summer season July 5. Starring Walker and NYCB corps members Devin Alberda, Meaghan Dutton-O'Hara, Mimi Staker, Sebastian Villarini-Velez, Sarah Villwock and Giovanni Villalobos, it shows off the theater's gorgeous natural surroundings.



This isn't the first time Kikta and Walker have collaborated on both film and choreography. Walker, who premiered his first ballet on NYCB last fall, is choreographing another work on the company in 2018, while Kikta has been studying film at Fordham University (she graduates this December). "I love seeing how you can manipulate and control it, how much things change," she says. In fact, Kikta's previous film projects are what sparked SPAC president and CEO Elizabeth Sobol to commission the project. Make sure to keep these two on your radar for more projects in the future.

Latest Posts


Dean Barucija, Courtesy Lopes Gomes

Chloé Lopes Gomes Speaks Out About Racial Harassment at Staatsballett Berlin

In November, the French dancer Chloé Lopes Gomes went public with accusations of institutional racism against Staatsballett Berlin, first reported by the German magazine Der Spiegel. In the article, several anonymous dancers confirm her account. Lopes Gomes, 29, who trained in Marseille and at the Bolshoi Ballet Academy, danced for the Ballet de l'Opéra de Nice and Béjart Ballet Lausanne before joining Staatsballett Berlin as a corps de ballet member in 2018, under then co-directors Johannes Öhman and Sasha Waltz. After the company told her in October that her contract, which ends in July, would not be renewed, she shared her story with Pointe.


I didn't know I was the first Black female dancer at Staatsballett Berlin when I joined the company in 2018. I learned that from German journalists who came to interview me almost immediately. I grew up in a mixed-race family—my mother was French, my father from Cape Verde—and I was educated to believe that we all have the same opportunities.

Keep reading SHOW LESS
Paul Kolnik, Courtesy NYCB

NYCB's Maria Kowroski Reflects on the Challenges, Joys and Mysteries of Balanchine’s "Mozartiana"

The first time I was called to learn Mozartiana, I didn't think I would actually get to do it. It's a coveted ballerina role in the company, and I was still early in my career. But I got to dance it once or twice, and then not again for many years. The ballet isn't in our repertoire that often, so each time we've performed it I've been at a different level as a person and as an artist.

Keep reading SHOW LESS
Melina Nastazia, Courtesy Jessica Flynn

Former “Baby Ballerina” Jessica Flynn on Her YA Novel and the Secrets to Surviving in Ballet

Most young dancers dream about how Jessica Flynn's ballet career began. After performing several lead roles at School of American Ballet's Workshop and winning the prestigious Mae L. Wien Award in 2002, she got an apprenticeship with New York City Ballet at age 16 and her corps contract less than a year later. Some soloist roles followed, and she appeared to have a bright future at the company. But just before her three-year mark, she left NYCB and never performed professionally again.

Flynn is now a ballet teacher, a holistic health coach for performing artists, a candidate for a master's in social work, a wife and a new mom. She's also an author. In 2016, she published Dancing in Time, the fictional tale of Charlie, a 37-year-old marketing executive who can't shake the failure of her ballet career. She wakes up one morning in her 17-year-old body, and has the chance to redo her career with the benefit of hindsight. The book deals with themes of extreme competition, body image and weight, disempowering relationships, and how all of these factors can suck the joy out of dancing—yet it's surprisingly humorous and entertaining.

Keep reading SHOW LESS

Editors' Picks