Erik Bruhn Prize Winners Announced

From left: Yury Yanowsky, Hannah Fischer and Carlo Di Lanno. Photo by Bruce Zinger, Courtesy NBOC

National Ballet of Canada corps member Hannah Fischer, 20, and San Francisco Ballet soloist Carlo Di Lanno, 22, were announced the winners of the prestigious Erik Bruhn Prize on Tuesday night. Recently retired Boston Ballet principal Yuri Yanowsky won the choreographic prize for his work District.

Five couples and choreographers representing five companies (Boston Ballet, San Francisco Ballet, The Royal Danish Ballet, Hamburg Ballet and NBOC) competed for the award at the Four Seasons Centre for the Performing Arts in Toronto. Each pair was selected to compete by their artistic directors and performed a classical pas de deux and variation, as well as a specially commissioned contemporary work. Fischer and Di Lanno each won a cash prize of $7,500; Yanowsky won $2,000. All three also received a sculpture by Jack Culiner.

The late Erik Bruhn, one of the most acclaimed male dancers of the 20th century, willed part of his estate to establish the prize upon his death. Given to one male and one female dancer between the ages of 18 and 23, the award, Bruhn said, reflects “such technical ability, artistic achievement and dedication as I endeavored to bring to dance." The Choreographic prize was added in 2009. If past winners are any indication, Fischer, Di Lanno and Yanowsky have bright futures ahead.

Ballet Careers
Gray Davis with wife, ABT soloist Cassandra Trenary, after his graduation from the South Carolina Criminal Justice Academy. Courtesy Trenary.

When Gray Davis retired from American Ballet Theatre in July of 2018, he moved home to South Carolina, unsure of what would come next. Last month, just over a year later, Davis graduated from the South Carolina Criminal Justice Academy. Today, he's working as a deputy for the Abbeville County Sheriff's Office.

Though Davis danced in ABT's corps for 11 years and is married to soloist Cassandra Trenary, to many he's best known for saving the life of a man who was pushed onto the subway tracks in New York City in 2017. The heroic effort earned him the New York State Liberty Medal, the highest civilian honor bestowed by a member of the New York State Senate. We caught up with Davis to hear about how the split second decision he made in the subway affected the course of his life, what it's been like starting a second career and what he sees as the similarities between ballet and law enforcement.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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Ballet Stars
Megan Amanda Ehrlich, Courtesy LEAP Program

Claire Sheridan wanted to change the status quo. Leading up to the 1990s, she recalls, "there was a 'shut up and dance' mind-set," and as the founder of the dance program at St. Mary's College of California and a longtime teacher in professional companies, she had seen too many dancers retire with no plan for a successful career transition. "At that time, if you thought about education and the future," she says, "you were not a committed dancer. I wanted to fight that."

With the support of St. Mary's, Sheridan developed the Liberal Education for Arts Professionals program, or LEAP, an innovative liberal-arts bachelor's degree program designed especially for professional dancers. She first presented her idea to executives at San Francisco Ballet. "Kudos to that company, because they said, 'This is great,'" she says. "Eleven of the first 18 dancers who started in August 1999 were from SFB."

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Ballet Training
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I'm a college freshman, and my dance program isn't challenging enough. We only have ballet three times a week and a few hours of modern, and my classmates aren't as dedicated as I am. There's a small dance company nearby, where I was hoping to take extra classes, but I don't have a car. I want to transfer, but I feel like I won't be in good enough shape for auditions. —Tara

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