Inside PT

Editor's Letter: Start Thinking Ahead

(Photo by Nathan Sayers)

Injuries always come at the most inconvenient time. Our cover guy, Derek Dunn, was on the fast track towards a promotion when he faced a double whammy: two back-to-back foot injuries that kept him out of commission for six months. Being unable to dance made him question everything, and forced him to explore life outside the ballet world. Find out more about this prodigious Houston Ballet demi-soloist in our cover story.

For me, a stress fracture sparked my motivation to start college part-time. For one thing, I had a lot of time to kill during my recovery. But being off my feet also made me realize how brief and delicate our dance careers are—and like many of today’s working dancers, I wanted to be prepared. Now, it’s easier than ever to balance college and career. In “Juggling Two Worlds,” we look at how three professionals are making it work, whether through night classes, online courses or an accelerated degree program created especially for dancers.

Of course, more and more dancers are opting to go to college first, before pursuing their performance careers. If you’re a year or two away from applying to schools, turn to “Summer on Campus” to learn about how going to a college summer intensive may help give you an edge. Not only do they give prospective students a chance to check out the dance department and dorms, they may give them a leg up when it’s time to audition. And be sure to read “Beyond the BFA” if you’re interested in learning more about nonperformance dance degrees. In it, we look at the different academic options dancers have, such as dance science or pedagogy, and how to keep up your performance chops when choosing this route.

If you’re not sure where to start, check out our annual “Higher Ed Guide” in the back of this issue. It’s specially curated just for bunheads, and includes important scholarship information, too. And if you need more in-depth coverage, the Dance Magazine College Guide (available at dancemagazine.com/collegeguide) is an excellent resource. It’s never too soon to start thinking ahead!

Amy Brandt, Editor in Chief

Summer Intensive Survival
Getty Images

There's a sweet spot toward the end of August—after summer intensives have wrapped up and before it's time to head back to school or work—where the days are long, lazy and begging to be spent neck-deep in a pile of good books. Whether you're looking for inspiration for the upcoming season or trying to brush up on your dance history, you can never go wrong with an excellent book on ballet. We've gathered eight titles (all available at common booksellers like Amazon and Barnes and Noble) guaranteed to give you a deeper understanding of the art form, to add to your end-of-summer reading list.

Keep reading... Show less
Site Network
James Yoichi Moore and Noelani Pantastico warm up onstage. Angela Sterling, Courtesy SDC.

On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.

SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.

Keep reading... Show less
News
Roman Mejia in Robbins' Dances at a Gathering. Erin Baiano, Courtesy NYCB.

The Princess Grace Foundation has just announced its 2019 class, and we're thrilled that two ballet dancers—New York City Ballet's Roman Mejia and BalletX's Stanley Glover—are included among the list of über-talented actors, filmmakers, playwrights, dancers and choreographers.

Keep reading... Show less
Trending
The Royal Ballet's Alexander Campbell and Yasmine Naghdi in Ashton's The Two Pigeons. Tristram Kenton, Courtesy ROH.

While most ballet casts are 100 percent human, it's not unheard of for live animals to appear onstage, providing everything from stage dressing to supporting roles. Michael Messerer's production of Don Quixote features a horse and a donkey; American Ballet Theatre's Giselle calls for two Russian wolfhounds; and Sir Frederick Ashton's La Fille Mal Gardee requires a white Shetland pony. Another Ashton masterpiece, The Two Pigeons, is well known for its animal actors. But though ballet is a highly disciplined, carefully choreographed art form, some performers are naturally more prone to flights of fancy—because they're birds.

Keep reading... Show less