As one of the foremost classical ballerinas of her generation, Diana Vishneva has captivated audiences with her magnetic stage presence and pristine technique. In a move that's sure to disappoint fans on this side of the Atlantic, she recently announced that she'll give her final performances with American Ballet Theatre on June 19 and 23, 2017, as Tatiana in Onegin. She'll dance with long-time partner, ABT principal Marcelo Gomes. Luckily for Russia, Vishneva will continue as a principal at the Mariinsky.

The first time I was able to see Vishneva dance live was in the summer of 2009, when I secured a student rush ticket to see Frederick Ashton's Sylvia at ABT. Even though I was sitting so high up I could literally touch the opera house ceiling, I felt lucky to see her in that ballet with its wildly differing acts.


Vishneva told The New York Times that because she has too many projects, she's unable to focus 100 percent of her energy on ABT, and that would be a disservice to the company—though she didn't rule out the possibility of future guest appearances. Along with her regular repertoire at the Mariinsky, she'll continue the contemporary dance festival she founded, called Context—this year's festival will be held in Moscow and St. Petersburg. Vishneva will perform with Paris Opéra Ballet director Aurélie Dupont, in a new work choreographed by Batsheva Dance Company director Ohad Naharin. Now that's something I would rush to Russia to see.

Ballet Stars
Karolina Kuras, Courtesy NBoC

It's hard to imagine the National Ballet of Canada without ballerina Greta Hodgkinson. Yet this week NBoC announced that the longtime company star will take her final bow in March, as Marguerite in Sir Frederick Ashton's Marguerite and Armand.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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News
Alice Pennefather, Courtesy ROH

You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)

Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of:

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Viral Videos

What do Diana Vishneva, Olga Smirnova, Kristina Shapran and Maria Khoreva all have in common? These women, among the most impressive talents to graduate from the Vaganova Ballet Academy in recent years, all studied under legendary professor Lyudmila Kovaleva. Kovaleva, a former dancer with the Kirov Ballet (now the Mariinsky), is beloved by her students and admired throughout the ballet world for her ability to pull individuality and artistry out of the dancers she trains. Like any great teacher, Kovaleva is remarkably generous with her wealth of knowledge; it seems perfect, then, that she appears as the Fairy of Generosity in this clip from a 1964 film of the Kirov's The Sleeping Beauty.

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