San Francisco Ballet soloist WanTing Zhao adds a pop of color to her winter wear. Photo by Quinn Wharton.

6 Dancers Serving Up Major Cold Weather Style Inspo

Winter weather is here, and since it's not going away anytime soon, we're embracing the cold and bundling up in style. If you're looking for a new coat to throw on over your leotard and warm ups or some every day clothing inspiration for your (limited) life outside of the studio, these pros have got you covered. Check out some of favorite street wear ensembles—winter edition.

Boston Ballet Soloist Rachele Buriassi

Photo by Liza Voll for Pointe

Boston winters can be brutal, and Rachele Buriassi doesn't mess around. Covered from head to toe, Buriassi opts for warm layers with her heavy turtleneck sweater, Vera Wang puffer coat and a knitted beanie, of course.

Latest Posts


Paul Kolnik, Courtesy NYCB

NYCB's Maria Kowroski Reflects on the Challenges, Joys and Mysteries of Balanchine’s "Mozartiana"

The first time I was called to learn Mozartiana, I didn't think I would actually get to do it. It's a coveted ballerina role in the company, and I was still early in my career. But I got to dance it once or twice, and then not again for many years. The ballet isn't in our repertoire that often, so each time we've performed it I've been at a different level as a person and as an artist.

Keep reading SHOW LESS
Getty Images

Ask Amy: How Can I Overcome My Fear of Pirouettes on Pointe?

I have a terrible fear of falling when doing turns on pointe. I sometimes cry in class when we have to do new turns that I'm not used to. I can only do bad singles on a good day, while some of my classmates are doing doubles and triples. How can I get over this fear? —Gaby

Keep reading SHOW LESS
xmb photography, Courtesy The Washington Ballet

The Washington Ballet's Sarah Steele on Her At-Home Workouts

Ballet at home: Since she's not preparing for any immediate performances, Steele takes ballet barre three to four times a week. "I'm working in more of a maintenance mode," she says, prioritizing her ankles and the intrinsic muscles in her feet. "If you don't work those muscles, they disappear really quickly. I've been focusing on a baseline level of ballet muscle memory."

What she's always working on: Strengthening her glute-hamstring connection (the "under-butt" area), which provides stability for actions like repetitive relevés and power for jumps. Bridges are her go-to move for conditioning those muscles. "Those 'basic food group'–type exercises are some of the best ones," she says.

Keep reading SHOW LESS

Editors' Picks