Dancers Make The Best Models

"Both professions require one to know their bodies really well, and to have discipline, like understanding how to move and make shapes. If you know your body, it’s not as awkward when you’re modeling because you’re already super conscious," says Laura Love about the connection between modeling and dance to James Lin of nymag.com's "The Cut" blog. Love performed with Los Angeles Ballet before quitting the stage a couple of years ago to become a model. The fashion world fell for her after photographer Bruce Weber shot an epic 15-page editorial with Love and New York City Ballet's Chase Finlay (our last issue's cover boy) for the April 2011 issue of French Vogue. But although Love says she enjoys having more time since giving up the disciplined life of a ballet dancer, she admits she still dances one and a half to three hours a day. You can take the girl out of the ballet world, but you can't take ballet out of the girl.

Latest Posts


Pacific Northwest Ballet's Sarah-Gabrielle Ryan, photographed by Jayme Thornton for Pointe

The Radiant Sarah-Gabrielle Ryan: Why She's One to Watch at Pacific Northwest Ballet

Hollywood could make a movie about Sarah-Gabrielle Ryan's big break at Pacific Northwest Ballet.

It was November 2017, and the company was performing Crystal Pite's film-noir–inspired Plot Point, set to music by Bernard Hermann from Alfred Hitchcock's Psycho. Ryan, then a first-year corps member, originally was understudying the role of another dancer. But when principal Noelani Pantastico was injured in a car accident, Ryan was tapped to take over her role.

Keep reading SHOW LESS
Lauren Veyette corrects a student during class. Ariel Rose, Courtesy Veyette Virtual Ballet School.

COVID-19 Has Made It Easier to Train Outside Your Studio—but Should You?

Of all the unprecedented effects the COVID-19 pandemic has had on the dance world, perhaps the most unthinkable a year ago was the forced pivot to online training. With many studios mandated to close, we've outfitted our homes with barres and marley and harnessed technology to create more learning opportunities than ever before. And now, as some studios reopen for in-person classes (either fully or in hybrid form) and others remain online, it's easier to supplement your school's offerings by adding virtual master classes—or even going to another school for in-studio time. But while being able to take class from anyone, anywhere, offers great opportunities, there are pitfalls to jumping from teacher to teacher. It's important to balance out the pros and cons of creating your own "COVID curriculum."

Keep reading SHOW LESS
Daniil Simkin gives advice during his master class series. Courtesy Dance Masterclass.

In This Master Class Series, Stars Like Daniil Simkin Share Their Technique and Artistry Secrets

Have you ever wondered what Daniil Simkin thinks about when he whips off a series of effortless pirouettes? Or how Polina Semionova initiates her "swan arms" when she dances Odette/Odile? Both dancers are now part of a new streaming platform called Dance-Masterclass, which offers targeted lessons from the ballet world's biggest stars to dancers of all levels. Launched in February, the platform presents 10 to 12-plus gorgeously filmed lessons from a new master teacher each month, with options allowing for private feedback.

Keep reading SHOW LESS

Editors' Picks