Some days, your to-do list might seem like it's a mile long: On top of your dance commitments, do you really have time to sew new pointe shoes, squeeze in cross-training, tweak your resumé for audition season, meal-prep and clean your apartment? Trying to stuff too many things into one day can only leave you frustrated when every item doesn't get crossed off.


If this sounds like you, you're what's called a "time optimist." But you could benefit from teaching yourself to be a "time realist," a concept coined by productivity and time management expert Julie Morgenstern. It involves using simple math to figure out how long each task will take and how much you really can do with your time. Here's how it works:

1. Prioritize

Estee Janssens via Unsplash

If you need to break in new shoes right away for a performance, make sewing on your ribbons and elastics a priority. Set aside 20 minutes—or however long it takes you—and budget it in to your day. And if you don't need printouts of your updated headshot and dance photos for three weeks, put that trip to the printer on hold.

The Conversation
Ballet Training
Via Burst

I'm a ballet dancer of 13 years, but I only got serious about it a few years ago, and very recently realized that I might want to pursue ballet professionally. I've contemplated auditioning for several prestigious pre-professional programs. But now I'm a junior in high school, so I'm worried it's too late. Should I still go for it, or am I better off staying at my current studio and going to college? —Lexi

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The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

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Ballet Stars
Tetsuya Kumakawa, via YouTube

Tetsuya Kumakawa, a former principal with The Royal Ballet and the founder and artistic director of K-Ballet in Tokyo, could make an audience gasp with his wildly powerful and inventive allegro. A boyish, dare-devil dancer, Kumakawa was a natural fit for roles like Franz in Coppélia. Watching him in this clip of Franz's Act I variation, it seems Kumakawa must have some sort of gravity-defying DNA.

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Ballet Stars
Angela Sterling, Courtesy PNB

Your teacher at Central Pennsylvania Youth Ballet, Marcia Dale Weary, recently passed away. What impact did she have on you?

I feel deeply indebted to her. She shaped my life's course, and I know that were it not for her, I would not be living out my dream today. She led by example through her remarkable commitment to her work, as well as her genuine kindness and generosity.

You were a trainee with San Francisco Ballet. What was that experience like?

It was an exposure to different schools of thought. We were mostly in the full-lengths, and watching run-throughs of Sleeping Beauty and Don Quixote was revolutionary for me. But I was young and far away from home. That transition was hard. My body started changing. It wanted to be fleshy. Biology is cruel in that way. I desperately wanted to fit in, but it wasn't meant to be.

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