Eileen Frazer with Jonathan David Dummar in "The Nutcracker." Photo by Louis Tucker, Courtesy Ballet Memphis.

5 Dancers Reveal Their New Year's Resolutions

And 5,6,7,8... The countdown to the New Year is on!

Here's a peak at what five dancers from around the country are aiming for in 2018.


Eileen Frazer with Brandon Ramey in "Don Quixote". Photo by Louis Tucker, Courtesy Ballet Memphis.

Eileen Frazer, Ballet Memphis

Mindfulness: It's easy to get lost in perfectionism and the stress that comes with this career path. I want to remember to enjoy every performance and be fully present in experiences that come my way.

Be bold: I also want to dare to be bold, further develop the qualities that make me who I am as a dancer and find different ways to share my personality and experiences through the art form.

Family: Since I'm from Panama, I likewise want to keep nurturing my relationships with my family and friends.



Koki Yamaguchi. Photo by Colton West Photography, Courtesy Eugene Ballet.

Koki Yamaguchi, Eugene Ballet

Strength training: My dance resolution is to improve my technique with strength training and stretching.

(Physical) growth: As a short dancer I'm always trying to be larger in my movements.

Peer inspiration: I'd also like to learn new things by watching other company dancers such as Hirofumi Kitazume who performs dynamic jumps like the double revoltade and 540.



Shannon Quirk. Photo by Brian Jamie, Courtesy Madison Ballet.

Shannon Quirk, Madison Ballet

In the kitchen: I love to bake but I'm less adventurous when it comes to cooking. Thankfully, my roommate is a fantastic cook. My goal is to soak up as many skills from him as I can.

Finding the character: I've realized that it's more than just technical prowess that elevates your dancing. Discovering that each part or piece has a distinct essence and character has been an exciting challenge that I want to explore further.

Travel: I've been itching to travel abroad for a few years and I would love to make that happen once our performance season is over.



Rie Aoki in "Coppelia." Photo by Tisa Della-Volpe, Courtesy First State Ballet Theatre.

Rie Aoki, First State Ballet Theatre

Outside projects: I'm a fashion blogger on the side. I hope to be more proactive with my blog and see where it takes me.

All in the details: As a dancer, I want to not forget to focus on the little details in each step and in the way that I portray the feelings of characters.



Andrew Taft in "This Mortal's Mosaic", choreography by Daniel Ojeda. Photo by Mike Reid, Courtesy Ballet Idaho.

Andrew Taft, Ballet Idaho

Self-care: Last month I began a vegan diet and the challenge has been maintaining my protein intake. I miss bacon, but resolve to find vegan alternatives that work for me.

Gratitude: Another resolution is to express my gratitude more often. I owe my fellow dancers, staff and artistic director a great deal and it's important to acknowledge the people who've helped me to get to where I am.

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Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

Juha Mustonen, Courtesy Finnish National Ballet

Val Caniparoli Pulled Zoom All-Nighters For His Upcoming Premiere at Finnish National Ballet

Back in April, it seemed like everyone in the performing arts was either coping with company shutdowns or watching future work evaporate before their eyes. As seasons were canceled or pushed off into the unknown future, choreographer Val Caniparoli took a deep breath and focused on a glimmer of hope: Finnish National Ballet had commissioned him to develop a full-length Jekyll & Hyde, and was determined to move forward with its November world premiere. So, Caniparoli hunkered down in his apartment while honing his vision at all hours to build this psychological thriller into a reality.

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