A young Robbie Fairchild, posing for a tap number. Courtesy Fairchild.

12 Childhood Pics and Videos That Prove These Stars Were Born to Dance

When you hear names like Maria Kochetkova, Sutton Foster and Robbie Fairchild, you immediately picture flashes of them as the fully-formed, phenomenal performers they are today.

But even when they were kids, they had a glimmer of their future star power, giving a glimpse of what was to come. Thankfully for Instagram, we've got the pictures and home videos to prove it.


Robbie and Megan Fairchild

Now: Talk about talent running in the family. Sister Megan is now a principal at New York City Ballet, while her brother Robbie has since departed NYCB, delving in to Broadway and film, including the much-anticipated Cats film.

Then: The sibling duo was putting on their own shows at home, with Megan lending her old costume to her Robbie. Mid-performance, Robbie even gets snot rubbed off his face.

Diana Vishneva

Now: Full-on ballet royalty, at 43, she's still performing with the Mariinsky and runs her contemporary dance festival, CONTEXT.

Then: Back in 1994, 18-year-old Vishneva gave a welcome address to kick off the new school year at the Vaganova Ballet Academy. It was an honor awarded to the program's most promising senior student.

Natalia Arja and Renan Cerdeiro

Now: The longtime friends are colleagues at Miami City Ballet, where Arja is a principal soloist and Cerdeiro is a principal.

Then: Back home in their native Rio de Janeiro, Brazil, the pair was chummy, seizing the opportunity to dance together even outside of class.

James Whiteside

Now: Whiteside is his own brand of triple threat: a principal at American Ballet Theatre, pop performer JbDubs and a choreographer.

Then: He was a regular teen who admittedly loved dancing to Britney Spears. We can't say we're surprised.

Daniil Simkin

Now: An international ballet superstar—currently a principal at Staatsballett Berlin and American Ballet Theatre—known for his bounding jumps and sailing turns

Then: A promising young dancer, known for his bounding jumps and sailing turns. Some things never change.

Catherine Hurlin

Now: A captivating soloist who's scooping up roles at American Ballet Theatre, Hurlin is also known by her nickname, Hurricane.

Then: At age 3, Hurlin seemed to be channeling Isadorables vibes, posing in a flowing vintage dress.

Kathryn Morgan

Now: Morgan leaps back into company life this season as a soloist at Miami City Ballet.

Then: From a young age, she was cheesing it up and already feeling at home in a mess of tulle and sequins.

Kyle Abraham

Now: The busy MacArthur "genius" choreographer is creating work this season for his own company, A.I.M, plus Misty Copeland, Paul Taylor Dance Company and Hubbard Street Dance Chicago.

Then: Abraham was that cool kid in high school who was also deeply intellectual. A longtime music lover, he played cello as a teen.

Maria Kochetkova

Now: Though the ballet maverick has struck out on her own, leaving traditional company life behind, Kochetkova continues to perform around the world.

Then: While most ballet students dance in a Nutcracker growing up, very few can say their first was at the Bolshoi Ballet School. Welcome to the life of Kochetkova.

Ryan Heffington

Now: Heffington has molded a career out of making the awkward enticingly cool, whether he's choreographing for Sia or crafting the central "five movements" for Netflix's "The OA."

Then: He was a spiffy dance student who appeared several times on "Star Search."

Karina González

Now: A longtime principal at Houston Ballet, the audience favorite also became a mother last year.

Then: As a kid in Venezuela, González was literally bending over backwards to dance. After showing up at the wrong address for dance lessons, we're extremely glad she was swiftly redirected to the right school.

Sutton Foster

Now: Foster is preparing to strike Broadway gold once again for the 2020 revival of The Music Man, in which she'll star opposite Hugh Jackman.

Then: Based on this early tap routine, Sutton was clearly destined for Broadway.

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Sydney Dolan Takes Center Stage at Pennsylvania Ballet

This is Pointe's Summer 2020 cover story. You can subscribe to the magazine here, or click here to purchase this issue.

Just days before the world shuttered under the strain of the coronavirus pandemic, and the curtain came down indefinitely on dance companies everywhere, Pennsylvania Ballet soloist Sydney Dolan debuted Gamzatti in La Bayadère with captivating ease. Her jumps soared, her technique was sound, and her cheeky smile paired with exquisite port de bras was beguiling. Though she didn't know the company would soon cancel the remainder of its season, her beautiful performance acted as a kind of send-off into the unknown.

Dolan's career could be described in one word: charmed. At just 19 years old, she's flown through the ranks at PAB, debuted a long list of roles, won a Princess Grace Award and been named one of Dance Magazine's "25 to Watch." Yet it's her challenges that have shaped not only her training but her outlook, giving her a solid foundation for becoming one of Pennsylvania Ballet's rising stars.

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Courtesy de Roos

SAB Student Founds Dancewear Nonprofit to Help Others in Need

When School of American Ballet student Alexandra de Roos was 8 years old, she placed a collection box at her dance studio for others to donate their gently used dancewear. De Roos, now 17, has since turned that single collection box into a nonprofit organization that aims to minimize economic barriers in the performing arts with free dancewear and classes.

De Roos' organization, Peace Love Leotards, has collected about $2,600 of new and gently-used dancewear and $2,000 in grants and donations since formally launching in April. Dancers or studio owners can request items through a form on the organization's website.

"I knew that dancewear was really expensive and that a lot of students might not be able to do the thing that they love because it's cost-prohibitive," de Roos said. "I really wanted to create something to allow people to have the same experience of the love and joy of dance that I've been so grateful to have."

After SAB shifted its winter term online amid the COVID-19 pandemic, de Roos decided to expand Peace Love Leotards. She reached out to dance companies, resulting in partnerships with brands including Jo+Jax, Lone Reed Designs, RubiaWear and Wear Moi.

"To have them be like 'We want to help you with this and we love this idea and what you're doing is amazing,' that was really exciting to me," she said. "It was very heartwarming."

Jordan Reed, the creator of custom dancewear brand Lone Reed Designs, said she has donated seven items to Peace Love Leotards with plans to donate more consistently every quarter. Custom leotards often retail at higher prices, but Reed, a former Houston Ballet corps member, said the one-of-a-kind clothing offers an "extra bit of confidence, which can go more than a long way in a dancer's journey of training."

Paul Plesh, a sales director for Wear Moi in the United States and Canada, said the company donated 11 leotards after finding Peace Love Leotards' mission to be "commendable." Joey Dowling-Fakhrieh, the founder and creative director of Jo+Jax, said dancewear "can make a significant impact on a student's confidence, as well as how much they enjoy the process of learning dance."

De Roos has worked to expand Peace Love Leotards, Inc. rapidly in the past few months, but she first created the organization at eight years old after participating in a mentorship program with competitors in the Miss Florida and Miss Florida's Outstanding Teen pageants. The pageants, which are part of the Miss America Organization, require competitors to have personal platforms they advocate for as titleholders. As a competition dancer, de Roos instantly thought about the cost barriers to dance when wondering what her own future platform would be.

De Roos said she and her young classmates often outgrew nearly brand-new dancewear, so she approached her studio's owner about placing a collection box at the studio.

Barbara Mizell, who owns Barbara's Centré for Dance in Florida, said she was unsurprised by de Roos' proposal. De Roos always had "such a way of pushing herself and she never forgot those around her," Mizell said. As the box filled up, she distributed the dancewear to others at the studio, local schools with dance programs, and the local YMCA.

"When they could start to see that it was providing happiness for others, then it was almost like the kids couldn't wait to donate," Mizell said.

Nearly a decade after the Miss Florida organization inspired her to launch Peace Love Leotards, de Roos is now a titleholder herself, as Miss Gainesville's Outstanding Teen 2020. Her new mission for Peace Love Leotards is applying for grants, and she has already received a $1,000 grant from the Delores Barr Weaver Legacy Fund that will be used to fund a Title 1 school class.

"The whole organization behind Peace Love Leotards is the dancers," de Roos said. "Being able to help the dancers that are in need and being able to think about the dancewear that they're going to be receiving or have received has been truly amazing."

#TBT: Royal Ballet Principals in a Gala Tribute to Tchaikovsky (1993)

It's not often that you get to see eight principal dancers sharing a stage, but Pyotr Ilyich Tchaikovsky's centennial is a special circumstance. In a 1993 gala honoring the composer, former Royal Ballet principals Darcey Bussell and Zoltan Solymosi, Leanne Benjamin and Tetsuya Kumakawa, Lesley Collier and Irek Mukhamedov and Viviane Durante and Bruce Sansom performed alongside The Royal Opera Chorus in Madame Larina's ball scene from the opera Eugene Onegin.

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