In November, the French dancer Chloé Lopes Gomes went public with accusations of institutional racism against Staatsballett Berlin, first reported by the German magazine Der Spiegel. In the article, several anonymous dancers confirm her account. Lopes Gomes, 29, who trained in Marseille and at the Bolshoi Ballet Academy, danced for the Ballet de l'Opéra de Nice and Béjart Ballet Lausanne before joining Staatsballett Berlin as a corps de ballet member in 2018, under then co-directors Johannes Öhman and Sasha Waltz. After the company told her in October that her contract, which ends in July, would not be renewed, she shared her story with Pointe.
I didn't know I was the first Black female dancer at Staatsballett Berlin when I joined the company in 2018. I learned that from German journalists who came to interview me almost immediately. I grew up in a mixed-race family—my mother was French, my father from Cape Verde—and I was educated to believe that we all have the same opportunities.
Dean Barucija, Courtesy Lopes Gomes
The first time I was called to learn Mozartiana, I didn't think I would actually get to do it. It's a coveted ballerina role in the company, and I was still early in my career. But I got to dance it once or twice, and then not again for many years. The ballet isn't in our repertoire that often, so each time we've performed it I've been at a different level as a person and as an artist.
Mozartiana's music, an orchestral suite of the same name, was written by Tchaikovsky as a tribute to Mozart and is based on four of the great composer's piano works.
Paul Kolnik, Courtesy NYCB
Most young dancers dream about how Jessica Flynn's ballet career began. After performing several lead roles at School of American Ballet's Workshop and winning the prestigious Mae L. Wien Award in 2002, she got an apprenticeship with New York City Ballet at age 16 and her corps contract less than a year later. Some soloist roles followed, and she appeared to have a bright future at the company. But just before her three-year mark, she left NYCB and never performed professionally again.
Flynn is now a ballet teacher, a holistic health coach for performing artists, a candidate for a master's in social work, a wife and a new mom. She's also an author. In 2016, she published Dancing in Time, the fictional tale of Charlie, a 37-year-old marketing executive who can't shake the failure of her ballet career. She wakes up one morning in her 17-year-old body, and has the chance to redo her career with the benefit of hindsight. The book deals with themes of extreme competition, body image and weight, disempowering relationships, and how all of these factors can suck the joy out of dancing—yet it's surprisingly humorous and entertaining.
The cover for Jessica Flynn's YA novel, Dancing in Time
Courtesy Jessica Flynn