In January, a commercial for Chase's QuickPay Mobile App starring Michaela DePrince aired on national television. In March, it was announced that Madonna would be directing the movie version of DePrince's autobiography. And in April, she graced the cover of Harper's Bazarre Netherlands. With all the buzz, it's easy to forget that the Dutch National Ballet soloist has been sidelined since August 2017 with a ruptured Achilles tendon. Pointe checked in with DePrince to see how her recovery is going.
Last fall, you ruptured your Achilles tendon. How did that happen?
It was the first of August. I was in Sicily doing an event with Google. We had dinner at a temple and it was just absolutely incredible. I'm kind of clumsy outside of ballet, so I thought it would be safer if I took my shoes off. Then Lenny Kravitz starts to sing a song and he dedicates it to me. I got up and went to go sit next to him on the stage. When I got up from sitting, I stepped in the wrong place at the wrong time. I knew right away that I ruptured my Achilles. They brought me to an ambulance and took me to the hospital. I flew back to the Netherlands the next day and had an appointment with the doctors here in Amsterdam. They said, "Yeah, you ruptured three quarters of your Achilles." And then on August 14, I had surgery.
Martin-Nielson in Paquita. Photo by Marcello Orselli, Courtesy Les Ballets Trockadero de Monte Carlo.
Not every male dancer gets to take on roles like Swan Lake's Odette, and Giannina in a restaging of Jules Perrot's The Naïad and the Fisherman. But Philip Martin-Nielson isn't your typical performer.
Martin-Nielson is a leading dancer with Les Ballets Trockadero de Monte Carlo, the all-male troupe famous for its parodies of traditional ballets. Quite an accomplishment for someone who was once told he would never be capable of taking care of himself or living on his own.
Although you'd never know it by talking to him or watching him dance, Martin-Nielson has one of the most severe forms of autism. Diagnosed at age 3, he was unable to maintain eye contact or communicate and couldn't bear to be touched.