Everything Nutcracker
San Francisco Ballet principal Joseph Walsh at age 3 as the tiny green elf in his local Nutcracker. Courtesy Walsh.

Oh, Nutcracker... It's the ballet experience that unites us all, from young student to seasoned pro. Whether you made your entrance in a mouse costume or under Mother Ginger's skirt, do you remember the choreography and costume of your very first role?

Today, six professionals share their favorite childhood Nutcracker photos and memories.

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New York City Ballet soloist Claire Kretzschmar as the Sugarplum Fairy in Balanchine's "The Nutcracker." Photo by Paul Kolnik, Courtesy NYCB.

What bunhead hasn't dreamed of dancing Clara in Nutcracker? But with so many young dancers aspiring to the role, casting disappointments are inevitable each year. Today, three professionals share their childhood Clara casting disappointments and what helped them move on and learn from the experience. We hope their stories will encourage you this Nutcracker season!

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Jackie Nash with Jacob Bush in Allegro Brillante. Photo by Kim Kenney, courtesy of Atlanta Ballet.

Ballet schools are back in session and dancers are preparing to be back in class with all of its exhilaration, magic, and, of course, struggle.

Today, four dancers reveal what they found challenging as ballet students and how they now look at their technique as professionals.

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Boston Ballet principal Lia Cirio at age 15 in class at the Central Pennsylvania Youth Ballet summer intensive. Photo by Rosalie O'Connor, Courtesy Cirio.

It's hard to believe that summer intensive season is almost over! We hope you're learning, growing, having fun and making memories at your intensives this year.

Today, we're sharing seven dancers' favorite summer intensive memories.

Isabella Boylston, American Ballet Theatre

Photo Courtesy Boylston.

Summer Intensive: American Ballet Theatre

Age: 17

Perseverance

"I was 17 (although I looked about 14) and attended the ABT Summer Intensive. I was particularly excited to be there because the year before that I hadn't been accepted."

Outside the Studio...

"My mom, my best friend Lauren Post and I sublet a tiny one bedroom on the Upper West Side and had a blast exploring the city."

Dreams Come True

"That summer I was invited to join the ABT Studio Company—a dream come true!"

Viral Videos
Bucharest National Ballet's 2013 trailer for "La Sylphide,' via YouTube

Few things are more powerful for promoting ballet performances than captivating trailers—especially in today's visually-focused, digitally-connected world.

We've rounded up some eye-catching ads from seasons past and present that not only make us wish we could have seen the show, but also stand alone as short films.

Bucharest National Opera's La Sylphide

Magnifying the scarf which—spoiler alert—brings about the ballet's tragic conclusion, this 2013 Bucharest National Opera's trailer turns that fateful fabric into a beautiful, deadly web. Its windswept movements form a dance of its own.

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Ballet Stars
Houston Ballet principal Connor Walsh getting early practice as a leading man. Photo courtesy Connor Walsh

It's that time of year again—recital season! And not so long ago, some of your favorite ballet dancers were having their own recital experiences: dancing, discovering, bowing, laughing, receiving after-show flowers, making memories, and, of course, having their pictures taken! For this week's #TBT, we gathered recital photos—and the stories behind them—from five of our favorite dancers.

Gillian Murphy, American Ballet Theatre

Murphy gets ready for her role as "Mary Had a Little Lamb." Photo courtesy Gillian Murphy.

"This photo was taken by my mom when I was 11, waiting in the dressing room (the band room of West Florence High School in South Carolina) before I went onstage as 'Mary' for a recital piece featuring 3-year-olds as little lambs.I had so much fun being the teacher's assistant in the baby ballet class each week, particularly because my little sister Tessa [pictured below] was one of the 3-year-olds. I remember feeling quite grown up at the time because I was dancing in the older kids' recital piece later in the program, but in this moment I was just looking forward to leading my little lambs onstage in their number."

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Viral Videos
Mr. Jeremy FIsher, from Sir Frederick Ashton's "The Tales of Beatrix Potter."

Animal roles might not typically be what dancers dream of performing…but they're oh-so-fun to watch. You can't help falling under their spell (and perhaps aspiring to dance one someday). Here's a round-up of some of our favorite furry and feathered roles.

Bunny Hop

Run. Dance in a circle. Pretend to be a rabbit. It might sound like a creative movement combo, but don't let that fool you. The role of Peter Rabbit in Sir Frederick Ashton's The Tales of Beatrix Potter requires fierce technique—not to mention the ability to project personality while wearing an animal head and fur suit.


Four-Legged Interlude

Who do you turn to for halftime entertainment during a quartet of fairy variations? Dancing lizards, mice and a frog of course! This charming quintet of creatures light up the stage in David Bintley's Cinderella.

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Eileen Frazer with Jonathan David Dummar in "The Nutcracker." Photo by Louis Tucker, Courtesy Ballet Memphis.

And 5,6,7,8... The countdown to the New Year is on!

Here's a peak at what five dancers from around the country are aiming for in 2018.


Eileen Frazer with Brandon Ramey in "Don Quixote". Photo by Louis Tucker, Courtesy Ballet Memphis.

Eileen Frazer, Ballet Memphis

Mindfulness: It's easy to get lost in perfectionism and the stress that comes with this career path. I want to remember to enjoy every performance and be fully present in experiences that come my way.

Be bold: I also want to dare to be bold, further develop the qualities that make me who I am as a dancer and find different ways to share my personality and experiences through the art form.

Family: Since I'm from Panama, I likewise want to keep nurturing my relationships with my family and friends.



Koki Yamaguchi. Photo by Colton West Photography, Courtesy Eugene Ballet.

Koki Yamaguchi, Eugene Ballet

Strength training: My dance resolution is to improve my technique with strength training and stretching.

(Physical) growth: As a short dancer I'm always trying to be larger in my movements.

Peer inspiration: I'd also like to learn new things by watching other company dancers such as Hirofumi Kitazume who performs dynamic jumps like the double revoltade and 540.

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