Ah, the quest for the perfect, foot-flattering, technique-enhancing pointe shoe: It can feel like a never-ending saga. Still on the hunt for that ideal pair? Then you won't want to miss The School at Steps' annual Pointe Shoe Workshop and Fair, happening this Sunday, April 22nd, at 6:30 pm in NYC.
As always, the event—which is sponsored by Pointe—will feature an impressive panel of experts. This year's lineup includes orthopedist Dr. Andrew Price, professional fitter Mary Carpenter, master teacher Linda Gelinas, Pointe style editor Marissa DeSantis, and New York City Ballet star Sara Mearns (eee!).
Deep in the basement of Lincoln Center's David H. Koch Theater is a small, windowless space that's home to nearly 6,000 pairs of pointe shoes, neatly stacked on shelves that reach to the ceiling. It's New York City Ballet's shoe room, and for company members, it's one of the most important places in the world. Dancers frequently stop by to search for the ideal pair for a special performance, or to tweak their custom pointe shoe orders, trying to get that elusive perfect fit. "If the shoe isn't right, the dancer can't do her job," says shoe room supervisor and former Pacific Northwest Ballet principal Linnette Roe. We talked to Roe and NYCB soloist Emilie Gerrity about some of the most interesting—and surprising—secrets of the shoe room.
The NYCB dancers go through 9,000 to 11,000 pairs of shoes each year, including flat shoes, sneakers, jazz shoes, and character shoes. The company has an annual shoe budget of about $780,000.
Ever wonder what it's like to be part of American Ballet Theatre's studio company? The pre-professional arm of ABT trains hard and performs harder, putting on multiple shows over the course of each season. We followed ensemble member Léa Fleytoux, a gifted 18-year-old from Paris, France, on a performance day to get an inside look at life in the Studio Company.