Pacific Northwest Ballet soloist Margaret Mullin will never forget one of her first big breaks as a young company member: a debut as Bluebird in The Sleeping Beauty alongside Jerome Tisserand. At the time, she recalls, PNB was auditioning different conductors, so she hadn't had much time to get to know who would be leading the orchestra. They talked to the conductor about the coda's tempo, "because we both liked it really slow," she says. "That night, however, he ended up doing the polar opposite. It was the fastest I'd ever heard the music, and I couldn't finish the turns."