Ballet Stars
Rowser and Owen Thorne rehearse "Attitude: Lucy Negro Redux." Photo by Heather Thorne, courtesy Nashville Ballet.

Nashville Ballet's Kayla Rowser has performed a long list of leading roles: Aurora, Odette/Odile, Sugar Plum Fairy, the Firebird. But this weekend, Rowser takes on a new one created especially for her: the famous Dark Lady of William Shakespeare's sonnets, in artistic director Paul Vasterling's world premiere Attitude: Lucy Negro Redux. The ballet (running February 8-10) is based on the book Lucy Negro, Redux by poet Caroline Randall Williams. It explores the theory that Shakespeare's Dark Lady was a black woman, an actual London prostitute known as Black Luce or Lucy Negro.

For Rowser, who is African American, the ballet offers a rare opportunity to portray a character based on a woman of color. "Being able to explore a character who demands so much of who I am naturally, as well as through the gifts I have to share through ballet, is new to me," says Rowser. "It's different than being an African American woman dancing Odette or Aurora. Now what people are seeing is actually what is written. There's a lot of weight in that."

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Trending
Oleg Ivenko as Rudolf Nuryev in "The White Crow." Still via YouTube.

It's the moment many of us have been waiting for since early 2017: our first glimpse of The White Crow, a feature film about Rudolf Nureyev's 1961 defection from the Soviet Union while on tour with the Kirov Ballet. Directed by Hollywood A-lister Ralph Fiennes, the movie follows Nureyev from his birth on a train in Siberia to his request for asylum at Paris' Le Bourget Airport. It is based on Julie Kavanaugh's 2007 book, Nureyev: A Life.

THE WHITE CROW - Official Trailer - Directed by Ralph Fiennes www.youtube.com

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Ballet Stars
Photo by Karolina Kuras, courtesy Book Bank USA.

You know you've really made it when a children's book has been made about your life. While San Francisco Ballet principal Sasha De Sola has long inspired audiences young and old onstage, she is now the subject of On Tiptoes/De Puntitas, a bilingual book by Catalina V. Monterrubio with gorgeously illustrations by Gabriela García. Told in English and Spanish, On Tiptoes/De Puntitas ($24.90, available at Book Bank USA) is actually two stories that start at either end and meet in the middle. One follows De Sola, whose mother puts her in ballet to help her overcome her shyness; she later battles an injury and joins SFB through her hard work and dedication. The other story follows a fictional boy who falls in love with De Sola after seeing her perform. Inspired, he decides to become a dancer himself and overcomes bullying from his peers. The two stories converge when the dancers meet and perform a pas de deux.

De Sola, who was born in Florida of Venezuelan parents, grew up speaking Spanish. She played a central role in the book's creation, offering its creators guidance on both ballet life and its aesthetics. "I'd love to see a world where we collaborate more as artists," she said in an interview with Pointe last month. Below, she talks about how the process unfolded and what she hopes the book achieves.

Courtesy Book Bank USA

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Ballet Training
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I'm at the point in my training where my teachers say that I have the steps down, but my dancing needs something more exciting. They especially tell me to use my face more, but I'm having trouble figuring out how to do that without just plastering on a smile. —Hannah

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News
Photo by Carlos Quezada, Courtesy ABT

American Ballet Theatre announced today that Brooklyn Mack, a former Washington Ballet star, will join the company as a guest for its spring season at the Metropolitan Opera House. Currently an in-demand international guest artist, Mack will dance in three performances of ABT's Le Corsaire this June.

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Health & Body
Photo by oldskool photography/Unsplash

My dance program goes on a two-week break after Nutcracker performances. I'm worried about staying in shape and hate not having regular class. What can I do on my own, and how much should I be doing? —Emma

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Trending
San Francisco Ballet principal Frances Chung with her dressing room pal, Iggy. Photo by Erik Tomasson, Courtesy SFB.

A dancer's dressing room is often her "home away from home." We went backstage with Boston Ballet principal Lia Cirio, San Francisco Ballet principal Frances Chung and Richmond Ballet dancer Cody Beaton to see how they personalize their space and get performance-ready.

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Ballet Stars
Ballet Nacional de Cuba's corps de ballet performs Giselle's famous arabesque chugs. Photo by Carlos Quezada, Courtesy The Kennedy Center.

During the Ballet Nacional de Cuba's tour to Washington, DC's Kennedy Center earlier this year, the company brought longtime artistic director Alicia Alonso's Giselle. And while the production was admittedly well-worn and the style of dancing old-fashioned, the dancers rose to the occasion, led sensitively by longtime BNC star Viengsay Valdés in the title role.

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