Summer on Campus: Collegiate Summer Intensives Offer a Glimpse of Life as a Dance Major

Students at the University of Utah's Department of Ballet summer intensive. Photo by August Miller, Courtesy U of U.

Maura Bell was determined to have a ballet career. But as a high school senior, she didn't feel ready to audition for companies yet. “I knew I had more maturing to do, both technically and as a young woman," she remembers. Bell started researching collegiate options and discovered that Indiana University's ballet department hosted a two-week summer intensive for pre-college students. “The reputation of IU spoke for itself, so I decided to do the summer intensive to get a feel for what it would be like to go there."

The deciding moment came at the end of her second week, when department chair Michael Vernon led her and fellow students on a tour of IU's Musical Arts Center. “I remember standing on that stage—it's the size of the Met— and it just clicked: This was where I wanted to be, my dream school," she recalls. Bell auditioned for the ballet department that fall. Four years later, she credits the training and connections she made at IU with her ultimate post-graduation success: a contract with Saint Louis Ballet.

College summer programs offer students a chance to experience what life would be like as a dance major, and introduce them to a wide range of possibilities for their training and future career. Even those on the fence about going to school could benefit from spending a few weeks on campus—along with the strong focus on individual development, collegiate summer intensives allow students to meet year-round faculty and current dance majors, scope out the dorms and dance facilities, and do some major networking.



Students at University of North Carolina School of the Arts. Photo by Dance Shitagi, Courtesy UNCSA.


A Taste of Campus Life

Many college summer programs aim to mimic the experience of being a year-round student. “What's ideal about it is that they get a real taste of the university," says Vernon. “They're on IU's campus and in our dorms, taking class from our regular faculty, learning the rep our students performed the previous school year." Dancers also have lectures from professors in music for dance and take theater dance classes. At the dorms, says Vernon, “the RAs are all ballet majors who can talk to them about the department and show them what our standards are."

At the University of North Carolina School of the Arts, summer intensive students are exposed to the eclectic atmosphere of its conservatory life. UNCSA offers three simultaneous intensives in classical, comprehensive and commercial dance. Classical and comprehensive track students take many of their classes together. Visiting guest artists supplement the year-round faculty, including recent UNCSA alums like New York City Ballet's Claire Kretzschmar, American Ballet Theatre's Kelley Potter and former Royal New Zealand Ballet dancer Sam Shapiro.

In fact, guest faculty makes up a large component of these intensives, allowing students to make professional connections. At the University of Utah's summer intensive, program director Michael Bearden brings in three or four artistic directors each year. “It's a great opportunity for our students to get exposure to people who may be scouting for their own companies," says Bearden. Recent examples included Cincinnati Ballet's Victoria Morgan, Pacific Northwest Ballet's Peter Boal, Kansas City Ballet II manager Anthony Krutzkamp and UNCSA dance department dean Susan Jaffe.

Kara Roseborough, a junior at U of U, was initially drawn to its summer intensive partially because of its guest teachers. But she found herself excited by the university's own faculty, as well as the atmosphere on campus. “U of U wasn't on my radar until I went that summer, but I was so impressed by the teachers, felt so nurtured and pushed, that it was an environment I became very interested in," she recalls. She's now double majoring in English and ballet and hopes to add dance journalism to her experience someday.


Maura Bell in Balanchine's "Western Symphony." Photo by Pratt+Kreidich Photography, Courtesy St. Louis Ballet.


Getting Your Foot in the Door

Attending a college intensive may also give you an advantage if you decide to audition for the year-round academic program later. Department directors and faculty are often actively recruiting—and assessing—potential applicants during the summer. “Talent is only one aspect of becoming a great artist," says UNCSA summer program director Sean Sullivan. “Characteristics that take time to assess in a person, like tenacity, work ethic, curiosity, imagination and respectfulness all play into who might be an ideal candidate for our program. So if we've had five weeks to get to know and appreciate a dancer, versus three hours at an audition, it's very beneficial."

Lawrence Rhodes, artistic director of The Juilliard School's dance department, agrees, and notes that the process goes both ways for students attending the school's summer intensive: “You get three weeks of experience in the Juilliard way of training, working and living. You can decide whether you like it or not, and we can decide whether we think you're the right material for us."

Current senior Angela Falk says attending Juilliard's summer intensive not only solidified her hunch that she wanted to enroll there, it made her less intimidated to apply. “I absolutely felt more confident going into the audition for the college program," she says. “Knowing who was teaching the audition class, as well as several of the other dancers, made me feel comfortable."


Lawrence Rhodes leading class at Juilliard. Photo by Todd Rosenberg, Courtesy Juilliard.

Visit Again During the School Year

While summer is a great chance to preview college life, directors agree that those interested in the degree program should revisit campus during the school year. Sullivan says that while the intensity and professionalism is the same, “during the year, the depth of exploration is greater. We do four major dance productions, and the students are also taking their academic classes. It's well worth it to come again."

Even so, Falk is glad she was able to spend a summer on campus. “I felt like a Juilliard student for three weeks," she says. “On the last day, I told my parents, 'If I ever got into this school, I don't know how I'd pass it up.' "


Larke Johnson in rehearsal. Courtesy The Joffrey Ballet

Marie and Franz have a new guest at their Christmas Eve party this year. Emma Lookatch and Larke Johnson, both dancers in the Adaptive Dance Program at Joffrey Academy of Dance: Official School of The Joffrey Ballet, are alternating in the new role of Worker Girl. It is a permanent part created specifically for students with disabilities in Christopher Wheeldon's version of The Nutcracker at The Joffrey Ballet.

Keep reading... Show less
Francisco Estevez, Courtesy Colorado Ballet Academy

When you're looking for a ballet program to take you to the next level, there are a lot of factors to consider. While it's tempting to look for the biggest name that will accept you, the savvy dancer knows that successful training has more to do with the attention and opportunities you'll get.

We put together a few of the most important things for dancers to look for in a summer or year-round training program, with the help of the experts at Colorado Ballet Academy:

Keep reading... Show less
Ballet Training
Ballet Austin Academy students practice priouette en dehors. Annie Marie Bloodgood, Courtesy Ballet Austin.

Michelle Martin, associate artistic director of Ballet Austin, says that pirouettes en dehors from fourth position allongé are full of "traps" for dancers. Whether you trained with a straight back leg or have never tried it before, Martin's analytical breakdown will help you master this basic but dazzling turn.

Keep reading... Show less
Rosalie O'Connor, Courtesy US Prix de Ballet

The US Prix de Ballet is taking an unconventional approach to the ballet competition—by putting the competitors' health first. After a successful first year in 2018, the Prix is returning to San Diego, CA this February with an even more comprehensive lineup of wellness workshops and master classes, in addition, of course, to the high-level competition.

Though the talent is top-notch, the environment is friendly, says HARID Conservatory faculty member Victoria Schneider, who serves on US Prix de Ballet's elite panel of judges. "The wellbeing of the dancer is the main focus," says Schneider, who awarded three scholarships to HARID at last year's competition.

US Prix de Ballet was born after its founders traveled to the Japan Grand Prix International Ballet Competition in 2016. "The company ran every aspect of the competition with professionalism, dignity, honor and precision," says founder Neisha Hernandez. "We knew we wanted this level of experience for America."

Keep reading... Show less