Viral Videos

What to Watch: Collage Dance Collective's Moving Tribute to Dr. Martin Luther King Jr.

Today, April 4, marks the 51st anniversary of the assassination of Martin Luther King Jr. in Memphis, Tennessee. It's a date heavy with meaning and symbolism for Kevin Thomas and Marcellus Harper, the founding directors of Memphis-based Collage Dance Collective. King's death not only marked a turning point in the civil rights movement, but it inspired Arthur Mitchell to found Dance Theatre of Harlem, a company and school devoted to providing opportunities to dancers of color. Harper and Thomas, a former DTH principal, have helped carry on Mitchell's mission through Collage Dance Collective, a company that showcases black dancers and choreographers.


To pay homage to Dr. King, Collage released Rebirth, a short film produced by Pigeon Roost in advance of the company's spring season. Shot at the historic Clayborn Temple, where King led one of his final marches against economic injustice, it features the dancers moving to a mix of music, poetry and Dr. King's famous "I've Been to the Mountaintop" speech. Made the day before his assassination, his words are eerily prophetic: "And I've seen the Promised Land. I may not get there with you. But I want you to know that we, as a people, will get to the Promised Land."

Collage, on its Instagram page, had this to say about Rebirth: "We present this piece to represent the power of the arts to turn poison into medicine." Watch below, and be inspired.

Jayme Thornton for Dance Magazine

It is perhaps the understatement of the century to say that Misty Copeland—American Ballet Theatre principal, trailblazing role model, and straight-up ballet icon—knows how to work a pair of pointe shoes. But a new campaign for Stuart Weitzman, in which Copeland trades her ballet "boots" for some boots of the more traditional kind, proves (yet again) that she's a dance goddess in any kind of footwear.

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Ballet Stars

For many a bunhead, "The Dance of the Sugar Plum Fairy" is not just a holiday tradition, but a rite of passage. The variation, with its tinkling celesta, bourrées and petit battus, is one that all ballet dancers are familiar with, and getting the opportunity to perform it often represents moving into new realms in your training or career. Such was the case for Soviet ballerina Ekaterina Maximova. In this 1957 clip, the 18-year-old aspirant performed the Sugar Plum variation at a ballet competition, where she represented the Bolshoi Ballet Academy.

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Viral Videos

Same feet, but different shoes... Josephine Lee of the California-based ThePointeShop interviews Milwaukee Ballet dancers and identical twin sisters Elizabeth Harrison and Marie Harrison-Collins to find out all of their pointe shoe hacks, proving once and for all just how individual each dancer's pointe shoe preferences are.

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Ballet Stars
Sisters and New York City Ballet corps dancers Mary Thomas MacKinnon and Olivia MacKinnon. Courtesy Ezra Hurwitz.

When Elle Decor approached Ezra Hurwitz to create a campaign with Tiffany & Co., the former Miami City Ballet dancer-turned-filmmaker knew just who he wanted to feature: the dancers of New York City Ballet.

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