Clifton Brown. Photo by Andrew Eccles, Courtesy Alvin Ailey American Dance Theater.

Clifton Brown Brings a New Voice to The Washington Ballet

On March 14, The Washington Ballet will present a triptych of new works by Marcelo Gomes, Gemma Bond and Clifton Brown. "What I found really interesting with these three is that they're all still performers," says TWB artistic director Julie Kent. "They serve both as muse and as creator."

Though Gomes and Bond share the same American Ballet Theatre genesis as Kent, Brown is best known for his many years with Alvin Ailey American Dance Theater and choreographers Lar Lubovitch and Jessica Lang. Kent and Brown met many years ago while working on a duet by Lang. "I knew that he was interested in choreography," says Kent. "And one of my responsibilities as director is to develop young talent."




Brown is relatively new to dancemaking; this will be his first commission for a major company. "I was kind of shy about putting something onstage with my name on it. It's a little exposing," he says. Brown's work will open the program. The piece has 10 dancers (6 men and 4 women) and will be performed to a live Rossini duet for cello and double bass. Though Brown's background differs from the other two choreographers', he believes they're all working in the "classical vein," as he puts it. "I don't know what people expect from me as an Ailey dancer, but this piece is coming out rather balletic—so quite possibly not this," he says.

The other two works will also be performed to live music; Bond's to Purcell, and Gomes' to Brahms. "It's so exciting," says Kent, noting that this program allows her to bring old collaborators to her new home. "I love seeing these works come to life by dancers celebrated in their own right."

The program will run from March 14-18 at the Sidney Harman Hall in Washington, DC.

Latest Posts


Vikki Sloviter

Sydney Dolan Takes Center Stage at Pennsylvania Ballet

This is Pointe's Summer 2020 cover story. You can subscribe to the magazine here, or click here to purchase this issue.

Just days before the world shuttered under the strain of the coronavirus pandemic, and the curtain came down indefinitely on dance companies everywhere, Pennsylvania Ballet soloist Sydney Dolan debuted Gamzatti in La Bayadère with captivating ease. Her jumps soared, her technique was sound, and her cheeky smile paired with exquisite port de bras was beguiling. Though she didn't know the company would soon cancel the remainder of its season, her beautiful performance acted as a kind of send-off into the unknown.

Dolan's career could be described in one word: charmed. At just 19 years old, she's flown through the ranks at PAB, debuted a long list of roles, won a Princess Grace Award and been named one of Dance Magazine's "25 to Watch." Yet it's her challenges that have shaped not only her training but her outlook, giving her a solid foundation for becoming one of Pennsylvania Ballet's rising stars.

Keep reading SHOW LESS
VAM/Siggul, Courtesy YAGP

YAGP Has Announced the Winners of the 2020 Pas De Deux Virtual Competition

Last weekend, Youth America Grand Prix took to the internet, hosting its first virtual pas de deux competition. Over the course of three days, YAGP streamed videos from its regional events' highest-ranked competitors for a panel of esteemed judges. And, drum roll please... YAGP has just announced the winners, spanning three categories: Senior Classical, Junior Classical and Contemporary.

You can watch the full virtual awards ceremony, hosted by YAGP director of external affairs Sergey Gordeev, below, or scroll down for the list of winners. And if you're missing the thrill of competition, don't fear: Gordeev announced that registration for the 2021 season will open on July 10, with both in-person and virtual options available.

Congratulations to all!

Keep reading SHOW LESS
Rosalie O'Connor, Courtesy ABT

Defining and Refining Musicality: How to Tune In and Develop Your Artistic Voice

Ask a hundred people what musicality is, and you're likely to get a hundred different answers. "Musicality is where an artist's personality shines brightest," says Smuin Contemporary Ballet member Ben Needham-Wood. For American Ballet Theatre soloist Skylar Brandt, "it's what distinguishes one dancer from another. It helps me express myself more vividly and emotionally."

Teachers encourage it, directors seek it out and dancers who possess it bring choreography to life in compelling ways. But what exactly is musicality, and how can dancers get more of it?

Keep reading SHOW LESS

Editors' Picks