Cinderella's Evil "Stepsisters"

Last night, I saw American Ballet Theatre in Frederick Ashton's Cinderella, a ballet that entered the company's rep just this season. Of course, you're at the theater to see the magical story of Cinderella and her prince unfold. And what magic it was! Julie Kent played an endearing, doe-eyed Cinderella and Marcelo Gomes was princely, as always. But in Ashton's version, the evil stepsisters—men dressed to the nines in corsets and wigs—dare I say it, stole the show. Kenneth Easter and Thomas Forster were the humorous thread that kept the plot moving, from the ballet's witty, subtle moments to its go-for-broke slapstick.


It may seem like playing a caricature-like character would be easy. But there's much more nuance to these roles than perceived. (Not to mention the high heels involved.) In this Time Out New York Q&A, Gia Kourlas talks with ABT dancers Craig Salstein and Roman Zhurbin about the highlights and difficulties of the job.

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Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

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Rachel Neville, Courtesy Ellison Ballet

If you've got your heart set on dancing for, say, San Francisco Ballet, you should attend a school that specializes in Balanchine, right? Not necessarily: It's actually a misconception that you have to train in a particular style or technique in order to pursue a career in that style. Ellison Ballet in New York City—which specializes in Vaganova technique—is living proof: Graduates of Ellison's year-round program and summer intensives go on to ballet companies that perform in a wide range of styles, and use what they've learned from Vaganova to land jobs.

Here are five reasons why studying Vaganova technique can actually make you a sought-after dancer for any number of ballet companies:

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Ballet Training
Students at Ellison Ballet's Classical Pas de Deux Intensive learning the pas from Don Quixote. Rachel Neville, Courtesy Ellison Ballet.

Summer intensives are wonderful opportunities to focus on your technique and artistry, study with new teachers and take classes you may not regularly get. But in addition to traditional multi-week, all-encompassing programs, many schools are now adding shorter "specialty" intensives that address specific areas or skills. These supplemental weeks (which usually follow the longer programs) offer short, deep dives into the choreographic process, variations, partnering or life as a professional dancer. While regular summer programs are fairly predictable, these hyper-focused intensives vary widely in their environments, intentions and requirements. And while it's a good opportunity to add weeks to your summer or train at more than one school, some may restrict admission to or prioritize those attending their full summer program. Before jumping in, look closely at what's involved and think about what you need.

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Ballet Training

Josephine Lee of the California-based ThePointeShop talks about what to do if one of your feet is stronger than the other. She's fitting Becca, who's struggling to get over her box on the left.

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