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Introducing Hope Muir, Charlotte Ballet's New Artistic Director

Hope Muir in the Charlotte Ballet studios. Photo by Jeff Cravotta, Courtesy Charlotte Ballet.

When Hope Muir was asked to apply to be Charlotte Ballet's new artistic director, the Scottish Ballet assistant artistic director flew stateside to North Carolina for some sneaky reconnaissance. After scouting out the city and the company, Muir gathered it would be a good fit. She worked as artistic advisor for Charlotte Ballet last season, but officially took over her new post on July 1.

While Muir's vision for the company emphasizes new commissions and collaborations, she's committed to building on the legacy of former director Jean-Pierre Bonnefoux. Famed Balanchine dancer Patricia McBride is staying on as associate artistic director. "I have a firm belief in the classical training and will continue to produce works on pointe and with storytelling," says Muir, formerly a dancer with English National Ballet, among other companies. "I'm just coming at it with a different experience and skill set, and am hoping to introduce new ways of doing things."

Muir with Charlotte Ballet dancers. Photo by Justin Driscoll, Courtesy Charlotte Ballet.


The company's spring season includes the U.S. premiere of Javier de Frutos' The Most Incredible Thing, with music by the Pet Shop Boys, as well as a collaboration with the Charlotte Symphony Orchestra. Muir has also instituted a choreographic lab to nurture talent within the company. "The dancers are so committed to me and to the work, and they're so generous with the choreographers." says Muir. "It's the most amazing thing."

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New San Francisco Ballet principal Wei Wang in Helgi Tomasson's Concerto Grosso. Photo by Erik Tomasson, Courtesy SFB.

Promotions season is well underway. Earlier this spring we covered exciting changes at Boston Ballet and Pennsylvania Ballet; now we're back with news from six more companies—English National Ballet, San Francisco Ballet, National Ballet of Canada, Miami City Ballet, Ballet West and Pittsburgh Ballet Theatre. (Stay tuned throughout the summer as additional companies release their updated rosters.) Here's who's doing a happy dance.

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Cleaning is a daily procedure. Proper maintenance will help extend the life of your floor and protect its special slip-resistant surface.

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Ballet Stars
Quinn Wharton

San Francisco Ballet soloist WanTing Zhao counts Old Hollywood actress Audrey Hepburn and current "it" model Bella Hadid as her major style icons—something which comes across in her own sartorial looks. Choosing classic pieces with on-trend elements (like her black turtleneck dress with its lace-up sleeves), Zhao also has an eye for detail, adding pops of bold color and accessorizing with delicate hoop earrings. "I usually wear turtlenecks, high-waisted jeans and sneakers," Zhao says of her off-duty style. "It's chic and comfy."

That description carries over to her studio look, too, which Zhao says is always a leotard with pink tights. "I usually wear my hair in a low bun with either a side or center part, and I like to wear a little bit of foundation, eyeliner and mascara—all from Tom Ford," she says.

Quinn Wharton

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Ballet Stars
Canadian junior finalist Mya Kresnyak in a variation from "Paquita." Photo by Richard Finkelstein, Courtesy USA IBC.

On June 10, 119 dancers from 19 countries gathered in Jackson, MS to compete in the USA International Ballet Competition. Today, the USA IBC announced the list of 32 finalists, who will compete for medals and cash awards in Round III, held June 19-21. All of the finalists will receive a travel stipend, and medalists and award winners will be announced at the competition's gala on June 22. See the full list below, and stay tuned all week on our Facebook and Instagram pages as we bring you the latest from Jackson, live.

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Ulrik Birkkjaer and Susanne Grinder in Bournonville's Napoli." Photo by Costin Radu, Courtesy Jacob's Pillow Dance.

On June 20, Royal Danish Ballet will open the Jacob's Pillow Dance Festival with a weeklong run in the historic Ted Shawn Theatre. The celebrated relationship between the Copenhagen-based company and the Pillow dates back to 1954, when leading RDB soloist Inge Sand stepped in to replace a dancer from another company at the last minute, resulting in her U.S. debut. Her popularity led to the company's inaugural U.S. performance at the festival the next summer. According to the Pillow's director of preservation, Norton Owen, this was also the first time that works by August Bournonville, the famed 19th-century Danish choreographer, were seen in this country. Following its success at Jacob's Pillow, RDB made its New York City debut at the Metropolitan Opera House in 1956, and in 1957 the King of Denmark knighted Jacob's Pillow founder Ted Shawn for his role in bringing Danish ballet to America. Over the next 20 years, soloists from RDB returned to the Berkshires frequently to great acclaim; their most recent visit was in 2007.

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Photo by Amitava Sarkar, Courtesy Houston Ballet

Houston Ballet soloist Harper Watters has a good thing going on. Not only is he one of the company's rising young dancers, but he's also a ballet celebrity on social media, where he charts his life on Instagram and on his hugely popular YouTube series, "The Pre Show" (which he describes as "tons of ballet, banter, boys and lots of backstage shenanigans").

The Dover, New Hampshire, native, who seems just as comfortable in a pair of pink heels as he does onstage, trained at Walnut Hill School for the Arts and Portsmouth School of Ballet. While a member of Houston Ballet II, he landed an apprenticeship with the company after winning the Contemporary Dance Prize at the 2011 Prix de Lausanne. He joined the main company that same year and was promoted to soloist in December 2017. Known for his big personality, elegantly long lines and sensual flow in contemporary work, Watters, 26, is ready to take on the next phase of his career. He recently spoke with Pointe about his new rank and his mission to help others feel proud of who they are.

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Sara Webb and Connor Walsh with Artists of Houston Ballet in "Swan Lake" choreographed by Stanton Welch. Photo by Amitava Sarkar, Courtesy Houston Ballet.

Wonder what's going on in ballet this week? We've pulled together some highlights.


The Australian Ballet's Triple Bill, Verve, Includes New Work by Company Dancer Alice Topp

Verve, a triple-bill program from The Australian Ballet running June 21-30 in Melbourne, will host revivals of works from resident choreographers Stephen Baynes and Tim Harbour, as well as a world premiere from company coryphée Alice Topp. Topp's Aurum is inspired by kintsugi, a Japanese art in which broken ceramics are mended using lacquer colored with silver or gold, so that the cracks are emphasized, instead of hidden. In Aurum, Topp applies that philosophy to the human ability to find beauty in vulnerability and imperfections. Completing the bill are Baynes's Constant Variants, which pairs neo-classical ballet with a Tchaikovsky score, and Harbour's Filigree and Shadow, a contemporary ballet featuring striking set and lighting design.

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