Céline Cassone: The Les Ballets Jazz de Montréal Dancer's Sleek, Casual Style

Photo by Kyle Froman for Pointe.

What is Céline Cassone's favorite thing to buy? Cowboy boots, to add to her growing collection. “I'm just crazy with boots," the Les Ballets Jazz de Montréal dancer says. “Always the same style, some short and some longer." It's also the one part of her outfit where you might find a pop of color, as most of her wardrobe is black and gray. She has boots in pink and purple, as well as more neutral shades of black, brown and white. “I'm looking for a nice red," she says. She tends to do most of her shopping when the company is on tour. BJM travels five or six months a year, and Cassone has been everywhere from New York City to Israel to Italy.

In the studio, she's never without her bright-green, peanut-shaped exercise ball, which she uses to work on her abdominals. “You can do Pilates exercises with that," she says. “It's super-light and it's always with me." She'll even use it as a pillow on the bus. Cassone favors long, loose layers and fun patterns in her dancewear—but she makes sure to keep her look practical, especially if she needs to dance on pointe. “For center, I want to see my legs and I want to see my feet," she says.

Photo by Kyle Froman for Pointe.


The Details—Street

COS top: “I bought it in Los Angeles." Cassone rarely shops at home in Montreal.

Levi's jeans: “I always wear jeans, never dresses."

Boots: “I bought them in Guadalajara, Mexico. We were on tour, and they had so many boots. I bought five pairs because it's so cheap there."


Photo by Kyle Froman for Pointe.

The Details—Studio

Lululemon top: “I'm a crazy Lululemon fan. I like that it can be for dance but also for the street."

Wear Moi legwarmers: “I like flashy colors in the studio."

Socks: These were made by Daniil Simkin's mother, and given to all the dancers during the premiere of his INTENSIO project, which Cassone danced in.

Ballet Stars

What do Diana Vishneva, Olga Smirnova, Kristina Shapran and Maria Khoreva all have in common? These women, among the most impressive talents to graduate from the Vaganova Ballet Academy in recent years, all studied under legendary professor Lyudmila Kovaleva. Kovaleva, a former dancer with the Kirov Ballet (now the Mariinsky), is beloved by her students and admired throughout the ballet world for her ability to pull individuality and artistry out of the dancers she trains. Like any great teacher, Kovaleva is remarkably generous with her wealth of knowledge; it seems perfect, then, that she appears as the Fairy of Generosity in this clip from a 1964 film of the Kirov's The Sleeping Beauty.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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Ballet Careers
Ali Cameron, Courtesy Queensland Ballet

An artistic director's position was far from Li Cunxin's mind when the Brisbane-based Queensland Ballet came calling in 2012. Since his retirement from the stage in 1999, the Chinese-Australian dancer had embarked on a highly successful career at the helm of a stockbroking firm. His wife, former dancer and current Queensland ballet mistress Mary McKendry Li, changed his mind, Li remembers. "She said, 'Wouldn't it be nice to give something back to the art form that we both have benefited so much from?' "

Seven years later, Li's contribution has been dramatic. Queensland Ballet, once a struggling choreographer-led company, has become one of Australia's most exciting repertoire ensembles, with Liam Scarlett on board as artistic associate. The budget has more than quadrupled, to over $20 million USD, and Li has launched not one but three major construction projects, with world-class headquarters, a theater and a new academy all in progress.

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News
Gene Schiavone, Courtesy Boston Ballet

Wonder what's going on in ballet this week? We've rounded up some highlights.

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