Need an excuse for a YouTube ballet break? Probably not, but just in case, here are videos to celebrate some of this month's off-the-beaten-path holidays.


Lame Duck Day (February 6)

Did you know that February 6 is Lame Duck Day? "Lame duck" can only mean one thing in the realm of ballet: those love-them-or-hate-them turns that pop up in center combos and onstage in Odette's Act II variation. Enjoy Marianela Nuñez's dreamy sequence of lame ducks (aka pique turn en dehors) in The Royal Ballet's 2009 Swan Lake. It's not hard to see why she was chosen to reprise the role in the company's much anticipated new production last year. (When you think about it, though, it's kind of ironic that the Swan Queen performs "lame ducks," isn't it? Then again, the Little Swans dance the "step of the cat"!)

Umbrella Day (February 10)

Apparently we also have a day to honor umbrellas. You know the saying about learning to dance in the rain—and if you can dance in the rain with your crush, it's twice the fun! In this adorable, romantic pas de deux from the 2011 Bolshoi Ballet Academy's production of La fille mal gardée, then-students Joy Womack and Mario Labrador dance under an umbrella as Lise and Colas. #OnstageRelationshipGoals

Cherry Pie Day (February 20)

February 20 is Cherry Pie Day! There aren't a lot of ballets that depict eating onstage. But in this playful, lighthearted moment from Sir Frederick Ashton's A Month in the Country, former Royal Ballet principals Sarah Wildor and Bruce Sansom share a snack of cherries. Then, they burst into a joyous, energetic duet (a little sugar will do that, right?).

Public Sleeping Day (February 28)

This February 28th, we honor the power nap. Princess Aurora's tips for sleeping in public? Pick a comfy tutu to nap in, skip the covers and, above all, remember to turn out and point your feet. In this 2015 clip, Royal Ballet principal Sarah Lamb rocks the technique of onstage balletic sleeping as Steven McCrae's Prince arrives to end the 100-year nap and get everyone back on their dancing feet again.

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Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

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Rachel Neville, Courtesy Ellison Ballet

If you've got your heart set on dancing for, say, San Francisco Ballet, you should attend a school that specializes in Balanchine, right? Not necessarily: It's actually a misconception that you have to train in a particular style or technique in order to pursue a career in that style. Ellison Ballet in New York City—which specializes in Vaganova technique—is living proof: Graduates of Ellison's year-round program and summer intensives go on to ballet companies that perform in a wide range of styles, and use what they've learned from Vaganova to land jobs.

Here are five reasons why studying Vaganova technique can actually make you a sought-after dancer for any number of ballet companies:

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National Ballet of Canada principal Heather Ogden in The Sleeping Beauty, which tours to the Kennedy Center this week. Bruce Zinger, Courtesy the Kennedy Center.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Karina González in Ben Stevenson's Coppélia. Amitava Sarkar, Courtesy Houston Ballet.

Are you more of a Giselle or a Juliet?

I've always said that my favorite role is Juliet, because of her vulnerability and maturity throughout the ballet. But now that I've performed Giselle, I find her so incredibly enjoyable, from being a village girl who falls in love for the first time to the most tender, almost weightless dancing in Act II.

Are you more at home in the studio or onstage?

I love the time in the studio. The process of starting from zero to getting better each day is so rewarding. My favorite phrase in rehearsals is "Let's do it again, so I can sleep in peace tonight." I need to feel so comfortable in the studio so that when I am onstage there are no bad surprises.

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