Brooklyn Mack Thought It Was a Prank When ABT Asked Him to Guest—and Now He's Dancing the Opening Night of Le Corsaire

Brooklyn Mack in Le Corsaire. Photo by Carlos Quezada, Courtesy Mack

After almost a decade at The Washington Ballet, Brooklyn Mack has struck out on his own. Last summer, after unsuccessful contract negotiations with the company—now under the direction of Julie Kent—the 32-year-old star decided to go it alone. So far, his full-time freelance career has taken him to Hong Kong, Mexico, Norway, Russia, Georgia (the country, not the state) and various cities across the U.S. But his biggest debut is still to come. This month, he appears with American Ballet Theatre at the Metropolitan Opera House for four performances of Le Corsaire, playing both Conrad and Ali.


How did the invitation come about?

I was contacted on Instagram by Kevin McKenzie's assistant. At first, I thought I was being pranked!

Has ABT always been a goal for you?

Most kids dream about dancing at ABT, and I was no exception. Actually, I spent one year in the Studio Company when I was 18 (in 2005). Isabella Boylston, Cory Stearns and Thomas Forster were all there at the time. So I'm excited to reconnect.

Would you like to dance more with the company?

Of course! But we'll see what comes. I'm definitely looking forward to the debut and being in that moment.

What have been some of the highlights of the past year?

I got to dance in a gala evening honoring Arthur Mitchell while he was still here. He was onstage, sitting downstage right, the whole time. I also got to dance at Fall for Dance with Tiler Peck and Lil Buck in Jennifer Weber's Petrushka; it was so rewarding to work with them—they're amazing movers.

Are you still based in DC?

Actually, while I'm guesting, I'm moving my base to South Carolina, where I'm from. DC is an expensive city!

Besides ABT, anything big coming up?

I will be joining English National Ballet for the first half of their season. The casting isn't done yet, but I expect to dance leading roles in the majority of the fall/winter repertoire—like Le Corsaire (which was my debut with ENB in 2015), Wheeldon's Cinderella, The Nutcracker—and possibly Akram Khan's Giselle if I have time to jump in, and surely some new and interesting things in the mixed rep as well!

Carlos Quezada, Courtesy Mack

Ideally, is there a dream company you'd like to join?

The older I get, the whole idea of a "dream company" is less of a thing. Every company has pluses and minuses. The best thing a dancer can do is to find a place with a decent amount of pluses. And if you also have a bit of freedom, that's excellent, because the things you're not getting there you can supplement elsewhere. That way you get a balanced diet.

Summer Intensive Survival
Getty Images

There's a sweet spot toward the end of August—after summer intensives have wrapped up and before it's time to head back to school or work—where the days are long, lazy and begging to be spent neck-deep in a pile of good books. Whether you're looking for inspiration for the upcoming season or trying to brush up on your dance history, you can never go wrong with an excellent book on ballet. We've gathered eight titles (all available at common booksellers like Amazon and Barnes and Noble) guaranteed to give you a deeper understanding of the art form, to add to your end-of-summer reading list.

Keep reading... Show less
Site Network
James Yoichi Moore and Noelani Pantastico warm up onstage. Angela Sterling, Courtesy SDC.

On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.

SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.

Keep reading... Show less
News
Roman Mejia in Robbins' Dances at a Gathering. Erin Baiano, Courtesy NYCB.

The Princess Grace Foundation has just announced its 2019 class, and we're thrilled that two ballet dancers—New York City Ballet's Roman Mejia and BalletX's Stanley Glover—are included among the list of über-talented actors, filmmakers, playwrights, dancers and choreographers.

Keep reading... Show less
Trending
The Royal Ballet's Alexander Campbell and Yasmine Naghdi in Ashton's The Two Pigeons. Tristram Kenton, Courtesy ROH.

While most ballet casts are 100 percent human, it's not unheard of for live animals to appear onstage, providing everything from stage dressing to supporting roles. Michael Messerer's production of Don Quixote features a horse and a donkey; American Ballet Theatre's Giselle calls for two Russian wolfhounds; and Sir Frederick Ashton's La Fille Mal Gardee requires a white Shetland pony. Another Ashton masterpiece, The Two Pigeons, is well known for its animal actors. But though ballet is a highly disciplined, carefully choreographed art form, some performers are naturally more prone to flights of fancy—because they're birds.

Keep reading... Show less