Ballet Stars

2018 Stars of the Corps: American Ballet Theatre's Breanne Granlund

Breanne Granlund stole the show in Michelle Dorrance's Praedicere. Photo by Marty Sohl, Courtesy ABT.

Anyone who watched American Ballet Theatre corps member Breanne Granlund during her years in the ABT Studio Company could have guessed that one day she'd be a standout in the main company. What they may not have predicted? That her breakout role would be in Praedicere, a pièce d'occasion by tap artist Michelle Dorrance, who had dancers sliding and stomping across the stage and well outside their comfort zones. In a work populated with many principals and soloists, Granlund was both the most striking and the most natural performer, tackling Dorrance's genre-bending movement with abandon and style.


Granlund in "La Bayadère." Photo by Rosalie O'Connor, Courtesy ABT.

It makes sense: Though Granlund trained at Ballet Academy of Texas and ABT's Summer Intensive, her background in modern, jazz and tap shines through in her theatricality and willingness to jump into unfamiliar movement. Yet Granlund, who joined the corps in 2016, is not a jack-of-all-trades, master of none. She's a bona fide classicist, whose measured but expressive approach and generous arches carried her through a recent debut as a soloist Shade in La Bayadère. She's not shy about her ambitions, either. "My dream is to dance and experience every role," she says, including Odette/Odile, Juliet, Kitri and Giselle. Her other goal? To be as versatile as humanly possible. From where we're sitting, she's well on her way.

The Conversation
Ballet Stars
Nashville Ballet's Kayla Rowser and Nicolas Scheuer in Swan Lake. Karyn Photography, Courtesy Nashville Ballet.

Pre-professional ballet students know this to be true: Training comes first; everything else fits when—or if—it can. Are the sacrifices pre-professional ballet dancers make to pursue a highly competitive career worth it? Four professionals weigh in.

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The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

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Ballet Training
From left: Elwince Magbitang and Raye Vince Pelegrin. Erica Wolf, courtesy Magbitang and Pelegrin.

Training in Manila, Philippines may seem a world away from dancing with the big ballet companies in New York City. Yet in April 2018, local ballet students Elwince Magbitang and Raye Vince Pelegrin, both 17, shared the stage in Manila with leading dancers from American Ballet Theatre in the benefit gala An Intimate Evening with Stella Abrera & American Ballet Stars. Little did they expect that their performance as toreadors in the Don Quixote Suite would land them at ABT's prestigious Jacqueline Kennedy Onassis School.

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Ballet Stars
Broad as the Mat Hatter with his Alice, Orlando Ballet's Kate-Lynn Robichaux. Michael Cairns, Courtesy Orlando Ballet.

Arcadian Broad has music in his mind. More and more, the Orlando Ballet leading dancer is making his mark behind the curtain—as a choreographer and composer. "I just hear things in my head that make sense for dance and music together," says Broad, who has no formal training in composition. "So I follow my instincts."

Broad, 23, is creating Wonderland: Mad Tales of the Hatter, inspired by the familiar story of Alice and her trip down the rabbit hole. He's not only choreographing the full-length work for Orlando Ballet; he has composed the music and will dance the leading role of the Mad Hatter when the show opens April 26.

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