Ethan Stiefel on the set of Flesh and Bone. Photo by Myles Aronowitz, courtesy Starz.

Big Names Join Faculty of ABT's JKO School

Earlier this year, former American Ballet Theatre principal Cynthia Harvey became the new artistic director of the Jacqueline Kennedy Onassis School. Now, she's made her first faculty appointments. The faculty for the 2016-17 school year (Harvey's first season in her new role) was announced yesterday, and the lineup is pretty stellar. Here are a few of the highlights:

Ethan Stiefel, the former ABT principal, Center Stage star and Flesh and Bone choreographer, will join the faculty as a principal guest instructor, working with the pre-professional division students.

—Robert LaFosse, a former ABT and New York City Ballet principal, will also teach in the pre-professional division.

—Former Hamburg Ballet and Royal Winnipeg Ballet dancer Fabrice Herrault is also joining the faculty. Now a world-renowned teacher, he's worked with dancers like Aran Bell and The Royal Ballet's Beatriz Stix-Brunell.

—A former dancer with Paris Opéra Ballet, Karin Averty has become a well-known New York City-based teacher, and now joins the JKO School's faculty.

This year's students are a lucky bunch. The JKO School is known for producing some of ABT's most exciting rising dancers—artists like Calvin Royal III, Skylar Brandt and our June/July cover star, Cassandra Trenary. And with such a strong group of teachers leading the way, who knows what exciting things we might expect from a new crop of students.

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A Letter from the Editor in Chief

Hi Everyone,

These are challenging times. The social distancing measures brought about by COVID-19 has likely meant that your regular ballet training has been interrupted, while your performances, competitions—even auditions—have been cancelled. You may be feeling anxious about what the future holds, not only for you but for the dance industry. And that's perfectly understandable.

As you adjust to taking virtual ballet class from your living rooms, we here at Pointe are adjusting to working remotely from our living rooms. We've had to get a little creative, especially as we put our Summer Issue together, but like you we're taking full advantage of modern technology. Sure, it's a little inconvenient sometimes, but we're finding our groove.

And we know that you will, too. We've been utterly inspired by how the dance community has rallied together, from ballet stars giving online classes to companies streaming their performances to the flood of artist resources popping up. We've loved watching you dance from your kitchens. And we want to help keep this spirit alive. That's why Pointe and all of our Dance Media sister publications are working nonstop to produce and cross-post stories to help you navigate this crisis. We're all in this together.

We also want to hear from you! Send us a message on social media, or email me directly at abrandt@dancemedia.com. Tell us how you're doing, send us your ideas and show us your dance moves. Let the collective love we share for our beloved art form spark the light at the end of the tunnel—we will come out the other side soon enough.

Best wishes,

Amy

Tulsa Ballet in Ma Cong's Tchaikovsky: The Man Behind the Music. Kate Luber Photography, Courtesy Tulsa Ballet.

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