Everyone wants more air-time. Whether you're going for explosive jetés or crisp battu (or both!) there are specific ways to train. We break it down below:

  1. First, read Amy's extensive breakdown on how to improve your petit allégro. Some of her tips, like adding plyometrics to your cross-training regime, apply to big and small jumps. Her key points are: Use your plié, feel your whole leg, connect to your center and anticipate your landing.
  2. You may think that because you're on your feet all day in class and rehearsal you don't need to cross-train the large muscles in your legs and hips. Wrong! Those muscles need to be activated in a parallel position to generate propulsion for jumps and to control your landings. Here are two exercises.
  3. Here's everything you need to know about plyometrics for dancers. These kinds of exercises are utilized by hurdlers and high jumpers. Enough said.
  4. If possible, use men's class as an opportunity to work on your timing. The slower music will force you to hang in the air, and you might just learn a few new steps.

New York City Ballet principal Ashley Bouder, known for her buoyant jump (photo by Paul Kolnik)

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Maria Kochetkova in Wayne McGregor's Chroma. Erik Tomasson, Courtesy Joyce Theater.

Maria Kochetkova's first season as a freelancer has been a whirlwind! A year after leaving San Francisco Ballet, she's already guested in Oslo, Berlin and London. Now, she's got something exciting in the works: From July 16-20, New York City's Joyce Theater will present her first solo program, Maria Kochetkova: Catch Her If You Can. Mounting such a production took a lot of time, self-development and courage, she says—but she's up for the challenge. Between rehearsals in Berlin, Kochetkova talked to Pointe about her favorite moments from the past year, her plans for the Joyce performances, and the ups and downs of life as a rogue ballerina.

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