10 Times Our Fave Ballet Dancers Made Turning Actually Look Easy

At this point, you'd think we'd all be used to the level of technical absurdity Daniil Simkin achieves when he's playing around in the studio. But then he did this:

...and now we're low-key appalled in the absolute best way.

After we picked our jaws up from the floor, we were inspired to dig up clips of some of our other favorite dancers turning like it's no big deal. Here are just a few standouts.


Derek Dunn's en dehors pirouettes in back attitude are okay, we guess.

Going from triple fouettés to pulling in for six is just another day at the office for Isabella Boylston.

Maria Kochetkova makes the deceptively simple arabesque turns from the Kingdom of the Shades act look like, well, a dream.

An oldie but a goodie: Ashley Bouder was still knocking out super clean fouetté turns while very pregnant.

In case you were worried, Aran Bell didn't lose his mad turning chops between his "First Position" days and now.

When you're Daniel Ulbricht, you celebrate making it through airport security with quad pirouettes.

All hail Queen Marianela Nuñez, who could probably have a nice cup of afternoon tea while nailing the Black Swan variation.

Honestly, we've never seen a video of Gillian Murphy turning that we didn't love.

If we accidentally did 11 pirouettes, we'd probably react just like Adiarys Almeida does here.

Latest Posts


Gregory Batardon, Courtesy Prix de Lausanne

The 2021 Prix de Lausanne Prepares for a Year Like No Other

In an ordinary year, early February marks an exciting time in the ballet world: the return of the prestigious Prix de Lausanne competition. But this is no ordinary year, so this is no ordinary Prix. Due to the pandemic, the 2021 edition will run from January 31 to February 7, completely via video.

Keep reading SHOW LESS
Photo by Mena Brunette, XMBPhotography

Inside Washington Ballet Artist Ashley Murphy-Wilson's Dance Bag

Ashley Murphy-Wilson, an artist at The Washington Ballet, is all about making things personal. Well, personalized, that is. "My best purchase ever was a label maker," she says. "Everything I own is labeled. My phone charger is labeled. My roller is labeled. Everyone knows: If I leave something in the studio, I'm coming back for it—because my name is on it."

The TWB dancer adds a personal touch to almost everything in her dance bag, be it with her label maker, her "signature" leopard print legwarmers or her bedazzled (yes, we said bedazzled) booties. It's the mark of an experienced dancer; Murphy-Wilson, now in her sixth season at TWB after 13 years with Dance Theatre of Harlem, knows better than to let her belongings get lost to the dance studio "black hole" effect.

Keep reading SHOW LESS
Charlene Gehm MacDougal as Lead Nursemaid in Petrushka. Photo by Herbert Migdoll

In Memoriam: Joffrey Dancer Charlene Gehm MacDougal, 69

Former lead dancer with The Joffrey Ballet, Charlene Gehm MacDougal died of ovarian cancer on January 10 at her home in New York City, age 69.

Gehm illuminated the inner life of each of the varied characters in her extensive repertoire. Whether she was the gracious hostess in George Balanchine's Cotillon, the riveting Lady Capulet in John Cranko's Romeo and Juliet, or in the tumult of William Forsythe's Love Songs, she drew the viewer's eye and heart to the essence of the role.

As Forsythe puts it: "Charlene was certainly one of the most elegant dancers I have had the privilege to work with. Her striking countenance flowed into her work and, joined with her wicked sense of humor and intelligence, created thoughtful, mesmerizing and memorable art."

Keep reading SHOW LESS

Editors' Picks