At this point, you'd think we'd all be used to the level of technical absurdity Daniil Simkin achieves when he's playing around in the studio. But then he did this:

...and now we're low-key appalled in the absolute best way.

After we picked our jaws up from the floor, we were inspired to dig up clips of some of our other favorite dancers turning like it's no big deal. Here are just a few standouts.


Going from triple fouettés to pulling in for six is just another day at the office for Isabella Boylston.

Maria Kochetkova makes the deceptively simple arabesque turns from the Kingdom of the Shades act look like, well, a dream.

An oldie but a goodie: Ashley Bouder was still knocking out super clean fouetté turns while very pregnant.

In case you were worried, Aran Bell didn't lose his mad turning chops between his "First Position" days and now.

Ballet Training

Josephine Lee of the California-based ThePointeShop talks about what to do if one of your feet is stronger than the other. She's fitting Becca, who's struggling to get over her box on the left.

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Ballet Training

Competition season is right around the corner... ThePointeShop's Josephine Lee fits a student headed to Youth America Grand Prix to help her find the performance shoes that will allow her to "put her best foot forward" and impress the judges.

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News
Prix de Lausanne 2019 Choreographic Project participants in Didy Velman's Is To Be. Rodrigo Buas, Courtesy Prix de Lausanne.

For the ballet world, Lausanne, Switzerland means one thing: the home of the prestigious Prix de Lausanne. But dancers aren't the only ones to think of the French-speaking city as synonymous with competition. Lausanne is the base for the International Olympic Committee headquarters, and this year it is also hosting the Youth Olympic Games.

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Ballet Stars

In everything she tackles, Natalia Osipova, a current principal with The Royal Ballet, seems to jump higher and turn faster than other any ballerina. It's almost impossible to watch her dance without letting out a gasp. Her performance as Medora in Le Corsaire's Grand Pas des Éventails from early in her career at the Bolshoi Ballet is no exception. In this clip of the variation and coda, Osipova soars with boundless virtuosity.

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