Ballet’s Dramatic Entrances

Rojo and Polunin in Marguerite and Armand. Bill Cooper via The Telegraph.

Whether it's an oh-so fashionably late arrival to a ball or an endless line of impressively in-sync penchés, ballets know the power of a dramatic entrance. (Appropriate, perhaps, that the word “entrance" has a double meaning, depending on how you pronounce it: “an entry" and also “to enthrall.") Take a look at some of our favorite wing-to-stage moments.


Cinderella

Antoinette Sibley, Anthony Dowell, The Royal Ballet (1969)

Clad in a wide, diaphanous cape, Cinderella glides onto the stage and down the stairs during the ball scene of Sir Frederick Ashton's version, as if in a dream.

Odile

Uliana Lopatkina, Bolshoi Ballet (2007)

Odile enters on Rothbart's arm in a flurry of horn blares and a stormy lowering of stage lights (0:50). Intrigued, the Queen acknowledges the late arrival, and Odile casts her spell with a glittering, dark smile.

Kingdom of Shades

Paris Opéra Ballet (2012)

When the first group of eight dancers has zigzagged its way down the ramp in La Bayadère's Kingom of Shades scene, it seems impossible that they just keep coming—and coming and coming. The precision in the adagio section that follows is truly mesmerizing.

Marguerite and Armand

Tamara Rojo and Sergei Polunin, The Royal Ballet (2013)

Again, Ashton proves to be a master of drama. Marguerite, utterly still, watches her clandestine lover enter. So much emotion charged in one stare! This pas de deux is a must-see.

Ballet Careers
Gray Davis with wife, ABT soloist Cassandra Trenary, after his graduation from the South Carolina Criminal Justice Academy. Courtesy Trenary.

When Gray Davis retired from American Ballet Theatre in July of 2018, he moved home to South Carolina, unsure of what would come next. Last month, just over a year later, Davis graduated from the South Carolina Criminal Justice Academy. Today, he's working as a deputy for the Abbeville County Sheriff's Office.

Though Davis danced in ABT's corps for 11 years and is married to soloist Cassandra Trenary, to many he's best known for saving the life of a man who was pushed onto the subway tracks in New York City in 2017. The heroic effort earned him the New York State Liberty Medal, the highest civilian honor bestowed by a member of the New York State Senate. We caught up with Davis to hear about how the split second decision he made in the subway affected the course of his life, what it's been like starting a second career and what he sees as the similarities between ballet and law enforcement.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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Ballet Stars
Megan Amanda Ehrlich, Courtesy LEAP Program

Claire Sheridan wanted to change the status quo. Leading up to the 1990s, she recalls, "there was a 'shut up and dance' mind-set," and as the founder of the dance program at St. Mary's College of California and a longtime teacher in professional companies, she had seen too many dancers retire with no plan for a successful career transition. "At that time, if you thought about education and the future," she says, "you were not a committed dancer. I wanted to fight that."

With the support of St. Mary's, Sheridan developed the Liberal Education for Arts Professionals program, or LEAP, an innovative liberal-arts bachelor's degree program designed especially for professional dancers. She first presented her idea to executives at San Francisco Ballet. "Kudos to that company, because they said, 'This is great,'" she says. "Eleven of the first 18 dancers who started in August 1999 were from SFB."

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Ballet Training
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I'm a college freshman, and my dance program isn't challenging enough. We only have ballet three times a week and a few hours of modern, and my classmates aren't as dedicated as I am. There's a small dance company nearby, where I was hoping to take extra classes, but I don't have a car. I want to transfer, but I feel like I won't be in good enough shape for auditions. —Tara

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