I have very tapered Morton's toes (longer second toes). My big toe joints are about a half centimeter shorter than my second and third toe joints, so I have a terrible time finding stability on demi-pointe. My weight lands on that second toe joint, which is pretty narrow and uncomfortable under that pressure. How can I find a more stable relevé? —Larissa
Miko Fogarty left her corps position at Birmingham Royal Ballet to pursue a college degree. Sonata Dancewear, Courtesy Fogarty.
"I was living my dream, but I wasn't happy," recalls Alexandra Pullen. Since starting ballet at age 5, the Chicago native aspired to join American Ballet Theatre and dance the roles her mother, Ellen Krafft, had performed there a generation before. And she achieved it: Fast-tracked from the ABT Jacqueline Kennedy Onassis School to the Studio Company, and then to the main company, by 20 she'd performed her mother's parts in Giselle and Don Quixote, toured the world, and attended galas and New York Fashion Week. And she was miserable.
My mom was in the corps de ballet at American Ballet Theatre. A generation later, so was I. As if that's not enough for one family, my younger sister Isabella Shaker dreams of following in our dancing footsteps. Her endeavor, and her status as somewhat of a child prodigy, stirs feelings of pride and apprehension within me,since I have lived through the ups and downs of this intense yet rewarding career.
Ballet will always be my first love and the thing that brings me the most joy, and my dance career has opened endless opportunities for me. However, it's a difficult career path that requires a lifelong dedication. It's super competitive and can lead to body image issues, physical injury and stress. Most dancers will face some of these problems; I definitely dealt with all three.
Claire Sheridan wanted to change the status quo. Leading up to the 1990s, she recalls, "there was a 'shut up and dance' mind-set," and as the founder of the dance program at St. Mary's College of California and a longtime teacher in professional companies, she had seen too many dancers retire with no plan for a successful career transition. "At that time, if you thought about education and the future," she says, "you were not a committed dancer. I wanted to fight that."
With the support of St. Mary's, Sheridan developed the Liberal Education for Arts Professionals program, or LEAP, an innovative liberal-arts bachelor's degree program designed especially for professional dancers. She first presented her idea to executives at San Francisco Ballet. "Kudos to that company, because they said, 'This is great,'" she says. "Eleven of the first 18 dancers who started in August 1999 were from SFB."
I'm a college freshman, and my dance program isn't challenging enough. We only have ballet three times a week and a few hours of modern, and my classmates aren't as dedicated as I am. There's a small dance company nearby, where I was hoping to take extra classes, but I don't have a car. I want to transfer, but I feel like I won't be in good enough shape for auditions. —Tara
The end of summer can only mean one thing in ballet world: Nutcracker audition season. It's the time of year when everyone at your studio is on edge with excitement, nerves and dreams. It's when you rewatch your DVD of last year's performance, practice choreography in your kitchen and make a list of roles you hope to get.
Nutcracker might be your only performance opportunity of the year, or the most significant one, so stakes are high. It's understandable if you feel anxious.We spoke with American Ballet Theatre principal Stella Abrera and Joffrey Ballet dancer Lucia Connolly, who have been in your ballet shoes, as well as Central Pennsylvania Youth Ballet school principal Alecia Good-Boresow for their advice on approaching this year's Nutcracker auditions.
Stephanie Kurlow, a 17-year-old Australian and aspiring professional dancer, says she "loves and thrives through the process of ballet." She demonstrates clean technique and an infectious joy while performing, but what sets her apart from most girls her age is her unyielding determination to follow her dreams and her reverent devotion to her Islamic faith.Her decision to adorn traditional Islamic headwear and modest dance clothing while training and performing has caught the world's attention, and she's now being celebrated by international brands, such as Converse and Gaynor Minden, and designer Tarese Klemens.
Kurlow began taking ballet at 2 years old, but ceased classes at age 9 after her family converted to Islam. Unable to find a dance studio that catered to Muslim girls, she didn't think it possible to continue. In response to seeing her daughter struggle, her mom opened a ballet academy where she could practice freely.
Master pointe shoe fitter Josephine Lee of the California-based ThePointeShop chats with Pittsburgh Ballet Theatre principal Hannah Carter to hear about how she prepares her pointe shoes. Carter shares her darning hacks (hint: a TheraBand is involved), and the reason why she doesn't designate right and left shoes.
Alexandra MacDonald (front row, third from left) didn't win a medal at the Genée International Ballet Competition, but says she came home inspired and newly motivated by the people she met there. Photo Courtesy Genée IBC.
Ballet competitions are an exciting part of any dancer's career. Yet while scholarships, prize money, job offers and the prestige that comes with winning a medal are compelling incentives to participate in one, they're not the only benefits. In fact, many dancers who go home empty-handed still look fondly on the experience and go on to become successful professionals.
This week, the 2019 Genée International Ballet Competition kicks off in Toronto. From August 20-29, over 50 dancers, ages 15–19 and trained in the Royal Academy of Dance syllabus, will perform three solos in the hopes of winning a medal and a $10,000 cash prize. Many past medalists have gone on to illustrious careers—but so have those who didn't win anything. We spoke with three Genée alumni now dancing professionally who know what it's like not to place. Read on to find out why they deem their comp experiences a success, and how you can make the most of yours—whether you win or not.