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Onstage This Week: World Premieres at PNB, PBT and DTH Collaborate in Pittsburgh, and More!

New York Theatre Ballet in Richard Alston's The Seasons. Richard Termine, Courtesy NYTB.

Wonder what's going on in ballet this week? We've pulled together some highlights.


PNB's Director's Choice Program Features Two World Premieres

Pacific Northwest Ballet's second mixed bill of the season, running March 15-24, features three works handpicked by artistic director Peter Boal. The program includes two world premieres: The Trees The Trees by Robyn Mineko Williams and Bacchus by Matthew Neenan, as well as the company premiere of Justin Peck's In The Countenance of Kings.

Pittsburgh Ballet Theatre and Dance Theatre of Harlem Share the Stage

March 15-24, Pittsburgh Ballet Theatre and Dance Theatre of Harlem come together in Pittsburgh to present a shared program featuring signature works from both companies, including PBT in Balanchine's "Rubies" and DTH in Darrell Grand Moultrie's Harlem On My Mind. The companies will also dance together in a collaborative staging of Stanton Welch's Orange. Above, see a video on the companies' 2017 collaboration.

New York Theatre Ballet Brings a Mixed Rep Program to Danspace Project

March 14-16 marks New York Theatre Ballet's fifth season at Dancspace Project. NYTB presents three favorite works: Richard Alston's The Seasons, inspired by Indian philosophical thought, Matthew Nash's 1983 The Elements of Style based on the classic guide to writing of the same name, and Merce Cunningham's 1967 Scramble, part of the Cunningham Centennial Celebration.

American Repertory Ballet Brings Back "Coppélia"

New Jersey-based American Repertory Ballet presents Coppélia at the Two River Theater in Red Bank, NJ, March 16-17. ARB is billing this comedic story ballet as a great fit for the whole family.

Health & Body
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I have very tapered Morton's toes (longer second toes). My big toe joints are about a half centimeter shorter than my second and third toe joints, so I have a terrible time finding stability on demi-pointe. My weight lands on that second toe joint, which is pretty narrow and uncomfortable under that pressure. How can I find a more stable relevé? —Larissa

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Sponsored by The Rock School
From left: Sarah Lapointe, Derek Dunn and Jeanette Kakareka. Courtesy The Rock School

For more than five decades, The Rock School for Dance Education has been launching young dancers into professional ballet careers around the globe. Boasting distinguished alumni such as Beckanne Sisk, Michaela DePrince and Taylor Stanley, the Philadelphia-based institution has garnered a well-deserved reputation for pairing rigorous training with a tight-knit, welcoming community. Their summer intensives are no different, with a wealth of prestigious faculty members, many of whom are Rock School alums currently dancing at companies around the world.

What inspires busy pros to keep returning to their alma mater? We talked to three of The Rock School's buzziest alums about why they make it a priority to come back and teach:

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The National Ballet of Canada's Harrison James and Emma Hawes in Orpheus Alive. Karolina Kuras, Courtesy NBoC.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Courtesy Apolla

Ballet dancers today are asked to do more with their bodies than ever before. The physical demands of a ballet career can take an immense toll on a dancer's joints and muscles—subjecting them to pain, inflammation and an increased risk of injury. Considering all that is required of today's dancers, having a top-notch recovery regime is paramount.

Enter Apolla Performance Wear, which is meeting ballet's physical demands with a line of compression footwear that is speeding up the recovery process for professional dancers by reducing inflammation and stabilizing the joints.

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