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Onstage This Week: World Premieres at PNB, PBT and DTH Collaborate in Pittsburgh, and More!

New York Theatre Ballet in Richard Alston's The Seasons. Richard Termine, Courtesy NYTB.

Wonder what's going on in ballet this week? We've pulled together some highlights.


PNB's Director's Choice Program Features Two World Premieres

Pacific Northwest Ballet's second mixed bill of the season, running March 15-24, features three works handpicked by artistic director Peter Boal. The program includes two world premieres: The Trees The Trees by Robyn Mineko Williams and Bacchus by Matthew Neenan, as well as the company premiere of Justin Peck's In The Countenance of Kings.

Pittsburgh Ballet Theatre and Dance Theatre of Harlem Share the Stage

March 15-24, Pittsburgh Ballet Theatre and Dance Theatre of Harlem come together in Pittsburgh to present a shared program featuring signature works from both companies, including PBT in Balanchine's "Rubies" and DTH in Darrell Grand Moultrie's Harlem On My Mind. The companies will also dance together in a collaborative staging of Stanton Welch's Orange. Above, see a video on the companies' 2017 collaboration.

New York Theatre Ballet Brings a Mixed Rep Program to Danspace Project

March 14-16 marks New York Theatre Ballet's fifth season at Dancspace Project. NYTB presents three favorite works: Richard Alston's The Seasons, inspired by Indian philosophical thought, Matthew Nash's 1983 The Elements of Style based on the classic guide to writing of the same name, and Merce Cunningham's 1967 Scramble, part of the Cunningham Centennial Celebration.

American Repertory Ballet Brings Back "Coppélia"

New Jersey-based American Repertory Ballet presents Coppélia at the Two River Theater in Red Bank, NJ, March 16-17. ARB is billing this comedic story ballet as a great fit for the whole family.

Ballet Stars
Karolina Kuras, Courtesy NBoC

It's hard to imagine the National Ballet of Canada without ballerina Greta Hodgkinson. Yet this week NBoC announced that the longtime company star will take her final bow in March, as Marguerite in Sir Frederick Ashton's Marguerite and Armand.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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News
Alice Pennefather, Courtesy ROH

You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)

Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of:

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Viral Videos

What do Diana Vishneva, Olga Smirnova, Kristina Shapran and Maria Khoreva all have in common? These women, among the most impressive talents to graduate from the Vaganova Ballet Academy in recent years, all studied under legendary professor Lyudmila Kovaleva. Kovaleva, a former dancer with the Kirov Ballet (now the Mariinsky), is beloved by her students and admired throughout the ballet world for her ability to pull individuality and artistry out of the dancers she trains. Like any great teacher, Kovaleva is remarkably generous with her wealth of knowledge; it seems perfect, then, that she appears as the Fairy of Generosity in this clip from a 1964 film of the Kirov's The Sleeping Beauty.

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