Houston Ballet's Karina González and Chun Wai Chan in rehearsal for Jerome Robbins' The Cage. Lawrence Knox, Courtesy Houston Ballet.

Onstage This Week: Program of Premieres at BalletX, Denver-Based Companies Join Forces, Pennsylvania Ballet's New "Giselle," and More!

Wonder what's going on in ballet this week? We've rounded up some highlights.


BalletX's Spring Series Showcases Three Premieres

Philadelphia-based troupe BalletX brings three premieres to the stage March 6-17. The company's Spring Series program includes the East Coast premiere of Lil Buck's Express; Nicolo Fonte's third new work for the company, titled Steep Drop, Euphoric; and the world premiere of BalletX 2019 choreographic fellow Katarzyna Skarpetowska's Off the Canvas.

Colorado Ballet Joins Forces With Two Denver-Based Dance Companies

March 8-10, Colorado Ballet comes together with Denver-based companies Wonderbound and Cleo Parker Robinson Dance to present Tour de Force. This collaborative program features Colorado Ballet in Amy Seiwert's contemporary Traveling Alone, as well two shared company world premieres. Colorado Ballet dancers will join Cleo Parker Robinson Dance in The MOVE/ment choreographed by Cleo Parker Robinson, and members of Colorado Ballet and Wonderbound will come together in Garrett Ammon's Creatures of Prometheus.

Ballet Idaho Shares an Evening of New Works by Company Insiders

Ballet Idaho's New Dance: Inside View program, running March 7-10, features new work by five choreographers all affiliated with the company: dancers Daniel Ojeda, Cydney Covert and Nathan Powell, rehearsal director Anne Meuller and artistic director Garrett Anderson. These episodic works are born from the company's shared experiences both in the studio and on the stage.

Pennsylvania Ballet Presents the World Premiere of Angel Corella's "Giselle"

This week, Pennsylvania Ballet puts its own stamp on a classic. March 7-15 marks the world premiere of Giselle, restaged by artistic director Angel Corella. We love the haunting trailer that Pennsylvania Ballet put together; check it out above.

Sarasota Ballet Revives Ashton's "Apparitions"

Sarasota Ballet continues its spring season with Poetry and Liberty, March 8-9. The program includes the company premiere of Sir Frederick Ashton's 1936 Apparitions, making its way to the stage for the first time since 1987. The program also includes George Balanchine's patriotic Stars and Stripes in honor of Sarasota Ballet artistic director Iain Webb's newly acquired American citizenship.

Houston Ballet and Carolina Ballet Celebrate Jerome Robbins' Centennial

Houston Ballet fetes Jerome Robbins March 7-10 with three of his classic works: Fancy Free, The Concert (or the Perils of Everybody) and the company premiere of The Cage. Catch a sneak peek of principal Connor Walsh in rehearsal for Fancy Free in the above video.

March 7-24, Carolina Ballet also brings back Fancy Free alongside the company premiere of Robbins' Afternoon of a Faun, set to Claude Debussy's famous score.

San Francisco Ballet and Alabama Ballet Present "The Sleeping Beauty"

This week, San Francisco Ballet and Alabama Ballet once again share Marius Petipa's beloved The Sleeping Beauty with their respective audiences. Catch Alabama Ballet's run March 8-10, SFB's March 9-17 and hear SFB soloist Wona Park talk about dancing the ballet's Enchanted Princess above.

City Ballet of San Diego Brings Balanchine to the Stage 

City Ballet of San Diego brings three George Balanchine masterpieces to the stage March 8-10. The program features works showing the range of Balanchine's genius: Apollo, "Rubies" and The Four Temperaments.

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Roman Mejia Is Carving His Own Path at New York City Ballet

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A Letter from the Editor in Chief

Hi Everyone,

These are challenging times. The social distancing measures brought about by COVID-19 has likely meant that your regular ballet training has been interrupted, while your performances, competitions—even auditions—have been cancelled. You may be feeling anxious about what the future holds, not only for you but for the dance industry. And that's perfectly understandable.

As you adjust to taking virtual ballet class from your living rooms, we here at Pointe are adjusting to working remotely from our living rooms. We've had to get a little creative, especially as we put our Summer Issue together, but like you we're taking full advantage of modern technology. Sure, it's a little inconvenient sometimes, but we're finding our groove.

And we know that you will, too. We've been utterly inspired by how the dance community has rallied together, from ballet stars giving online classes to companies streaming their performances to the flood of artist resources popping up. We've loved watching you dance from your kitchens. And we want to help keep this spirit alive. That's why Pointe and all of our Dance Media sister publications are working nonstop to produce and cross-post stories to help you navigate this crisis. We're all in this together.

We also want to hear from you! Send us a message on social media, or email me directly at abrandt@dancemedia.com. Tell us how you're doing, send us your ideas and show us your dance moves. Let the collective love we share for our beloved art form spark the light at the end of the tunnel—we will come out the other side soon enough.

Best wishes,

Amy

Bethany Kirby, Courtesy Tulsa Ballet

Ballet Company Costume Departments Jump Into Action, Sewing Masks for Coronavirus Aid

The novel coronavirus pandemic has forced ballet companies worldwide to cancel or postpone their seasons. But it's not just dancers and artistic staff that have found their work at a standstill. Costume departments, a vital component in bringing performances to life, have also hit pause. However, costume shops around the country, including Tulsa Ballet, Milwaukee Ballet and Miami City Ballet, have figured out a creative way to utilize their resources to give back to their communities during this challenging time. We touched base with Tulsa's team to find out what their experience has been like.

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