Artists of Houston Ballet rehearsing Stanton Welch's Sylvia. Amitava Sarkar, Courtesy Houston Ballet.

Onstage This Week: Houston Ballet's "Sylvia," World Premieres at Complexions Contemporary Ballet and BalletNext, and More!

Wonder what's going on in ballet this week? We've pulled together some highlights.


Houston Ballet's New Full Length Story Ballet, "Sylvia," Has Its World Premiere

This week, Houston Ballet is putting its stamp on an old classic with the premiere of a brand-new story ballet. Artistic director Stanton Welch's Sylvia makes its debut February 21–March 3. Welch includes other narratives from Greek mythology in his retelling of the determined huntress' story, set to Léo Delibes' famous score with designs by Jerome Kaplan and projections by Wendall K. Harrington.

Complexions Contemporary Ballet Celebrates Its 25th Anniversary at The Joyce Theater

Complexions Contemporary Ballet is back at New York City's Joyce Theater February 19-March 3 with three separate programs celebrating the company's 25th anniversary. The season includes the world premiere of company co-founder and choreographer Dwight Rhoden's WOKE set to a remix of music by Kendrick Lamar, Drake, Logic, Diplo and more, as well as the New York premiere of Rhoden's Bach 25 and audience favorites Star Dust and From Then to Now.

Tulsa Ballet Brings Back "The Sleeping Beauty"

February 21-24, Tulsa Ballet brings back a classic: The Sleeping Beauty. Artistic director Marcello Angelini restaged and re-choreographed sections of Marius Petipa's famous ballet; you can hear him talk about the timelessness of the work in the above video.

Aspen Santa Fe Ballet Returns to Its Santa Fe Home

Aspen Santa Fe Ballet is back in its Santa Fe home this week with a one-night-only performance of fan favorites on February 23. The program includes Alexander Ekman's Tuplet, Fernando Melo's Dream Play and Jorma Elo's 1st Flash. Check out a glimpse of Dream Play above.

BalletNext Showcases Three New Ballets by Michele Wiles in NYC

BalletNext artistic director Michele Wiles' presents three new ballets at New York City's New York Live Arts February 19-23 with a new crop of dancers from University of Utah's ballet program (where Wiles is a visiting professor). Wiles will also perform, joined by principal guest artists Amar Ramasar, Maria Kowroski, and others. This performance will mark Ramasar's first performance in the U.S. since being fired from New York City Ballet last fall.

Ballets des Amériques Onstage in Westchester, NY

Westchester, NY-based company Ballets des Amériques continues its new performance series titled Westchester Wednesday Dance at Tarrytown Music Hall on February 20. The company will present three works by its artistic director, Carole Alexis: Flowers and Tears, Boléro and Lentil Soup.

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Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

#TBT: Lucia Lacarra and Cyril Pierre in "Thaïs Pas De Deux" (2008)

When Sir Frederick Ashton premiered Thaïs Pas de Deux, a duet set to the "Méditation" interlude from Jules Massenet's opera Thaïs, the ballet was immediately acclaimed as one of his masterpieces, despite the fact that it is only a few minutes long. In this clip from 2008, Lucia Lacarra and Cyril Pierre, then principals of the Bavarian State Ballet, give a tender, enchanting performance that is six-and-a-half minutes of pure beauty.

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Courtesy Carrie Gaerte, modeled by 2020 Butler University graduate Michela Semenza

Concussions Are More Than a Bump on the Head. Here's What Dancers Need to Know

Your partner accidentally drops you during a lift. You collide head-on with another dancer in rehearsal. Or you're hit in the face while you're spotting a turn. Even if you didn't lose consciousness, you may have a concussion, which can occur from a direct blow to the head or rotary force of the brain moving excessively or striking the skull.

As a dancer, your first instinct may be to keep going, but you shouldn't, says physical therapist and athletic trainer Carrie Gaerte, PT, DPT, ATC, who works with Butler University in Indianapolis and at Ascension St. Vincent Sports Performance. "What's really hard for dancers is admitting that maybe something isn't right," she says. "But the big thing about concussions is that your brain is not like your ankle, shoulder or knee. When your brain has an injury, that needs to take precedence over a role or a job."

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