Grand Rapids Ballet in rehearsal. Jade Butler, Courtesy GRB.

Onstage This Week: PBT's "Great Gatsby," Nashville Ballet's  "Attitude: Lucy Negro Redux," 7 World Premieres at Grand Rapids Ballet, and More!

Wonder what's going on in ballet this week? We've rounded up some highlights.


Pittsburgh Ballet Theatre Dives Into the Roaring '20s With the World Premiere of "The Great Gatsby" 

February 8–17, Pittsburgh Ballet Theatre presents choreographer Jorden Morris' The Great Gatsby. Based closely on F. Scott Fitzgerald's famous novel, this new ballet takes viewers into the Roaring '20s with an original score by film composer Carl Davis. The ballet shows the glitz of the era with glamorous costumes designed by PBT costumer Janet Marie Groom. You can catch a glimpse into the costume shop here.

Nashville Ballet's "Attitude: Lucy Negro Redux" Has Its World Premiere


February 8–10, Nashville Ballet presents Attitude: Lucy Negro Redux, choreographed by artistic director Paul Vasterling and based on Caroline Randall Williams' 2015 book of poetry, Lucy Negro, Redux. In it, Williams investigates the theory that the mysterious Dark Lady to whom William Shakespeare dedicated many of his sonnets was actually a black historical figure known as Lucy Negro. Featuring an original score by Rhiannon Giddens, with spoken word performed live by Williams, Vasterling's ballet explores Shakespeare's romantic life from the point of view of the Dark Lady (danced by Kayla Rowser) while focusing on themes of love, otherness and equality.

Grand Rapids Ballet Presents Seven World Premieres in One Program

Grand Rapids Ballet's contemporary dance series returns February 8-10 with MOVEMEDIA: Handmade, featuring seven world premieres. The first five pieces are choreographed by company dancers Cassidy Isaacson, Nigel Tau, Nicholas Bradley Gray, Isaac Aoki and Yuka Oba. Gray's work, Divine Light, is dedicated to Raffaella Stroik, the Saint Louis Ballet dancer who mysteriously drowned in a Missouri lake last fall. The final two works on the program are by GRB choreographer in residence Penny Saunders and Joffrey Ballet dancer and choreographer Nicolas Blanc.

BalletX Returns to Vail With a Nicolo Fonte World Premiere

On February 9, Philadelphia-based company BalletX makes its way to Vail, Colorado as part of the Vilar Performing Arts Center's Winter Dance Series in collaboration with the Vail Dance Festival. BalletX will present the world premiere of Nicolo Fonte's Steep Drop, Euphoric in advance of its March 6 Philadelphia premiere. A regular at the Vail Dance Festival, BalletX will be back again this summer from July 26-August 10.

Ballet Idaho's Winter Repertoire Program Includes a World Premiere by Danielle Rowe

Ballet Idaho's winter repertoire program, titled (re)Define, explores contemporary and classical ballet to ask the question: How do you define dance? The program, running February 8-9, features a diverse list of works including George Balanchine's Allegro Brillante, Penny Saunders' Berceuse, Alejandro Cerrudo's Lickety-Split, the U.S. premiere of Craig Davidson's Ambiguous Content and Dreamland, a world premiere by Danielle Rowe.

Ballet West Reprises "Swan Lake" and Bids Farewell to Principal Christopher Ruud

Ballet West brings back a classic February 8-23: artistic director Adam Sklute's Swan Lake. The final performance on February 23 will feature principal Christopher Ruud as Prince Siegfried, marking his final performance with the company after 21 years. Ruud's history with the company runs deep; both of his parents also danced for Ballet West.

Matthew Bourne's "Cinderella" is Back in Los Angeles

Following the success of 2017's The Red Shoes, Matthew Bourne's New Adventures is back at Los Angeles' Ahmanson Theatre February 5-March 10 with Cinderella. Set to Prokofiev's famed score, Bourne reinterprets the classic fairy tale as a World War II love story. Cinderella originally had its premiere at the Ahmanson Theatre in 1999, and was revived in 2010 and then again in 2017.

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Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

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Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

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Thinking About College Ballet Programs? Here's a Comprehensive Guide to the Application Process

Gone are the days when you had to skip college in order to have a successful ballet career. College ballet programs are better than ever before, providing students with the training, professional connections and performance experience they need to thrive in companies postgraduation. But given the number of elements involved in the application process, choosing the right program can feel daunting. We've broken the college application timeline down step by step to help you best approach each stage along the way.

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Evelyn Cisneros-Legate. Photo by Beau Pearson, Courtesy Ballet West

Ballet West Academy's New Director on Dream Building During COVID-19

Evelyn Cisneros-Legate is bringing her hard-earned expertise to Ballet West. The former San Francisco Ballet star is taking over all four campuses of The Frederick Quinney Lawson Ballet West Academy as the school's new director.

Cisneros-Legate, whose mother put her in ballet classes in an attempt to help her overcome her shyness, trained at the San Francisco Ballet School and School of American Ballet before joining San Francisco Ballet as a full company member in 1977. She danced with the company for 23 years, breaking barriers as the first Mexican American to become a principal dancer in the U.S., and has graced the cover of Dance Magazine no fewer than three times.

As an educator, Cisneros-Legate has served as ballet coordinator at San Francisco Ballet, principal of Boston Ballet School's North Shore Studio and artistic director of after-school programming at the National Dance Institute (NDI). Dance Teacher spoke with her about her new position, her plans for the academy and leading in the time of COVID-19.

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