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Onstage This Week: PBT's "Great Gatsby," Nashville Ballet's  "Attitude: Lucy Negro Redux," 7 World Premieres at Grand Rapids Ballet, and More!

Grand Rapids Ballet in rehearsal. Jade Butler, Courtesy GRB.

Wonder what's going on in ballet this week? We've rounded up some highlights.


Pittsburgh Ballet Theatre Dives Into the Roaring '20s With the World Premiere of "The Great Gatsby" 

February 8–17, Pittsburgh Ballet Theatre presents choreographer Jorden Morris' The Great Gatsby. Based closely on F. Scott Fitzgerald's famous novel, this new ballet takes viewers into the Roaring '20s with an original score by film composer Carl Davis. The ballet shows the glitz of the era with glamorous costumes designed by PBT costumer Janet Marie Groom. You can catch a glimpse into the costume shop here.

Nashville Ballet's "Attitude: Lucy Negro Redux" Has Its World Premiere


February 8–10, Nashville Ballet presents Attitude: Lucy Negro Redux, choreographed by artistic director Paul Vasterling and based on Caroline Randall Williams' 2015 book of poetry, Lucy Negro, Redux. In it, Williams investigates the theory that the mysterious Dark Lady to whom William Shakespeare dedicated many of his sonnets was actually a black historical figure known as Lucy Negro. Featuring an original score by Rhiannon Giddens, with spoken word performed live by Williams, Vasterling's ballet explores Shakespeare's romantic life from the point of view of the Dark Lady (danced by Kayla Rowser) while focusing on themes of love, otherness and equality.

Grand Rapids Ballet Presents Seven World Premieres in One Program

Grand Rapids Ballet's contemporary dance series returns February 8-10 with MOVEMEDIA: Handmade, featuring seven world premieres. The first five pieces are choreographed by company dancers Cassidy Isaacson, Nigel Tau, Nicholas Bradley Gray, Isaac Aoki and Yuka Oba. Gray's work, Divine Light, is dedicated to Raffaella Stroik, the Saint Louis Ballet dancer who mysteriously drowned in a Missouri lake last fall. The final two works on the program are by GRB choreographer in residence Penny Saunders and Joffrey Ballet dancer and choreographer Nicolas Blanc.

BalletX Returns to Vail With a Nicolo Fonte World Premiere

On February 9, Philadelphia-based company BalletX makes its way to Vail, Colorado as part of the Vilar Performing Arts Center's Winter Dance Series in collaboration with the Vail Dance Festival. BalletX will present the world premiere of Nicolo Fonte's Steep Drop, Euphoric in advance of its March 6 Philadelphia premiere. A regular at the Vail Dance Festival, BalletX will be back again this summer from July 26-August 10.

Ballet Idaho's Winter Repertoire Program Includes a World Premiere by Danielle Rowe

Ballet Idaho's winter repertoire program, titled (re)Define, explores contemporary and classical ballet to ask the question: How do you define dance? The program, running February 8-9, features a diverse list of works including George Balanchine's Allegro Brillante, Penny Saunders' Berceuse, Alejandro Cerrudo's Lickety-Split, the U.S. premiere of Craig Davidson's Ambiguous Content and Dreamland, a world premiere by Danielle Rowe.

Ballet West Reprises "Swan Lake" and Bids Farewell to Principal Christopher Ruud

Ballet West brings back a classic February 8-23: artistic director Adam Sklute's Swan Lake. The final performance on February 23 will feature principal Christopher Ruud as Prince Siegfried, marking his final performance with the company after 21 years. Ruud's history with the company runs deep; both of his parents also danced for Ballet West.

Matthew Bourne's "Cinderella" is Back in Los Angeles

Following the success of 2017's The Red Shoes, Matthew Bourne's New Adventures is back at Los Angeles' Ahmanson Theatre February 5-March 10 with Cinderella. Set to Prokofiev's famed score, Bourne reinterprets the classic fairy tale as a World War II love story. Cinderella originally had its premiere at the Ahmanson Theatre in 1999, and was revived in 2010 and then again in 2017.

Health & Body
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I have very tapered Morton's toes (longer second toes). My big toe joints are about a half centimeter shorter than my second and third toe joints, so I have a terrible time finding stability on demi-pointe. My weight lands on that second toe joint, which is pretty narrow and uncomfortable under that pressure. How can I find a more stable relevé? —Larissa

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Sponsored by The Rock School
From left: Sarah Lapointe, Derek Dunn and Jeanette Kakareka. Courtesy The Rock School

For more than five decades, The Rock School for Dance Education has been launching young dancers into professional ballet careers around the globe. Boasting distinguished alumni such as Beckanne Sisk, Michaela DePrince and Taylor Stanley, the Philadelphia-based institution has garnered a well-deserved reputation for pairing rigorous training with a tight-knit, welcoming community. Their summer intensives are no different, with a wealth of prestigious faculty members, many of whom are Rock School alums currently dancing at companies around the world.

What inspires busy pros to keep returning to their alma mater? We talked to three of The Rock School's buzziest alums about why they make it a priority to come back and teach:

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The National Ballet of Canada's Harrison James and Emma Hawes in Orpheus Alive. Karolina Kuras, Courtesy NBoC.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Courtesy Apolla

Ballet dancers today are asked to do more with their bodies than ever before. The physical demands of a ballet career can take an immense toll on a dancer's joints and muscles—subjecting them to pain, inflammation and an increased risk of injury. Considering all that is required of today's dancers, having a top-notch recovery regime is paramount.

Enter Apolla Performance Wear, which is meeting ballet's physical demands with a line of compression footwear that is speeding up the recovery process for professional dancers by reducing inflammation and stabilizing the joints.

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