News

Onstage This Week: PBT's "Great Gatsby," Nashville Ballet's  "Attitude: Lucy Negro Redux," 7 World Premieres at Grand Rapids Ballet, and More!

Grand Rapids Ballet in rehearsal. Jade Butler, Courtesy GRB.

Wonder what's going on in ballet this week? We've rounded up some highlights.


Pittsburgh Ballet Theatre Dives Into the Roaring '20s With the World Premiere of "The Great Gatsby" 

February 8–17, Pittsburgh Ballet Theatre presents choreographer Jorden Morris' The Great Gatsby. Based closely on F. Scott Fitzgerald's famous novel, this new ballet takes viewers into the Roaring '20s with an original score by film composer Carl Davis. The ballet shows the glitz of the era with glamorous costumes designed by PBT costumer Janet Marie Groom. You can catch a glimpse into the costume shop here.

Nashville Ballet's "Attitude: Lucy Negro Redux" Has Its World Premiere


February 8–10, Nashville Ballet presents Attitude: Lucy Negro Redux, choreographed by artistic director Paul Vasterling and based on Caroline Randall Williams' 2015 book of poetry, Lucy Negro, Redux. In it, Williams investigates the theory that the mysterious Dark Lady to whom William Shakespeare dedicated many of his sonnets was actually a black historical figure known as Lucy Negro. Featuring an original score by Rhiannon Giddens, with spoken word performed live by Williams, Vasterling's ballet explores Shakespeare's romantic life from the point of view of the Dark Lady (danced by Kayla Rowser) while focusing on themes of love, otherness and equality.

Grand Rapids Ballet Presents Seven World Premieres in One Program

Grand Rapids Ballet's contemporary dance series returns February 8-10 with MOVEMEDIA: Handmade, featuring seven world premieres. The first five pieces are choreographed by company dancers Cassidy Isaacson, Nigel Tau, Nicholas Bradley Gray, Isaac Aoki and Yuka Oba. Gray's work, Divine Light, is dedicated to Raffaella Stroik, the Saint Louis Ballet dancer who mysteriously drowned in a Missouri lake last fall. The final two works on the program are by GRB choreographer in residence Penny Saunders and Joffrey Ballet dancer and choreographer Nicolas Blanc.

BalletX Returns to Vail With a Nicolo Fonte World Premiere

On February 9, Philadelphia-based company BalletX makes its way to Vail, Colorado as part of the Vilar Performing Arts Center's Winter Dance Series in collaboration with the Vail Dance Festival. BalletX will present the world premiere of Nicolo Fonte's Steep Drop, Euphoric in advance of its March 6 Philadelphia premiere. A regular at the Vail Dance Festival, BalletX will be back again this summer from July 26-August 10.

Ballet Idaho's Winter Repertoire Program Includes a World Premiere by Danielle Rowe

Ballet Idaho's winter repertoire program, titled (re)Define, explores contemporary and classical ballet to ask the question: How do you define dance? The program, running February 8-9, features a diverse list of works including George Balanchine's Allegro Brillante, Penny Saunders' Berceuse, Alejandro Cerrudo's Lickety-Split, the U.S. premiere of Craig Davidson's Ambiguous Content and Dreamland, a world premiere by Danielle Rowe.

Ballet West Reprises "Swan Lake" and Bids Farewell to Principal Christopher Ruud

Ballet West brings back a classic February 8-23: artistic director Adam Sklute's Swan Lake. The final performance on February 23 will feature principal Christopher Ruud as Prince Siegfried, marking his final performance with the company after 21 years. Ruud's history with the company runs deep; both of his parents also danced for Ballet West.

Matthew Bourne's "Cinderella" is Back in Los Angeles

Following the success of 2017's The Red Shoes, Matthew Bourne's New Adventures is back at Los Angeles' Ahmanson Theatre February 5-March 10 with Cinderella. Set to Prokofiev's famed score, Bourne reinterprets the classic fairy tale as a World War II love story. Cinderella originally had its premiere at the Ahmanson Theatre in 1999, and was revived in 2010 and then again in 2017.

The Conversation
Ballet Stars
Nashville Ballet's Kayla Rowser and Nicolas Scheuer in Swan Lake. Karyn Photography, Courtesy Nashville Ballet.

Pre-professional ballet students know this to be true: Training comes first; everything else fits when—or if—it can. Are the sacrifices pre-professional ballet dancers make to pursue a highly competitive career worth it? Four professionals weigh in.

Keep reading... Show less
The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

Keep reading... Show less
Ballet Training
From left: Elwince Magbitang and Raye Vince Pelegrin. Erica Wolf, courtesy Magbitang and Pelegrin.

Training in Manila, Philippines may seem a world away from dancing with the big ballet companies in New York City. Yet in April 2018, local ballet students Elwince Magbitang and Raye Vince Pelegrin, both 17, shared the stage in Manila with leading dancers from American Ballet Theatre in the benefit gala An Intimate Evening with Stella Abrera & American Ballet Stars. Little did they expect that their performance as toreadors in the Don Quixote Suite would land them at ABT's prestigious Jacqueline Kennedy Onassis School.

Keep reading... Show less
Ballet Stars
Broad as the Mat Hatter with his Alice, Orlando Ballet's Kate-Lynn Robichaux. Michael Cairns, Courtesy Orlando Ballet.

Arcadian Broad has music in his mind. More and more, the Orlando Ballet leading dancer is making his mark behind the curtain—as a choreographer and composer. "I just hear things in my head that make sense for dance and music together," says Broad, who has no formal training in composition. "So I follow my instincts."

Broad, 23, is creating Wonderland: Mad Tales of the Hatter, inspired by the familiar story of Alice and her trip down the rabbit hole. He's not only choreographing the full-length work for Orlando Ballet; he has composed the music and will dance the leading role of the Mad Hatter when the show opens April 26.

Keep reading... Show less