Tiler Peck in Balanchine's "Tchaikovsky Pas De Deux." Photo by Paul Kolnik, Courtesy New York City Ballet.

Onstage This Week: NYCB's Spring Season Opens, World Premieres at Cincinnati Ballet and Wonderbound, and More

Wonder what's going on in ballet this week? We've pulled together some highlights.


NYCB Spring Season Opens

NYCB's 2018 Spring Season opens on April 24. The next six weeks are filled with all of what NYCB has to offer including classic works by George Balanchine and Jerome Robbins, world premieres by Justin Peck and Warren Carlyle (each paying tribute to Robbins), and the full-length Coppélia. April 24-28 is all Balanchine; audiences can see works including Agon, The Four Temperaments and Tchaikovsky Pas de Deux. April 28 also offers NYCB's 21st Century Choreographers program, which will appear again later in the month, and includes Peter Walkers' dance odyssey, Alexei Ratmansky's Pictures at an Exhibition and Justin Peck's Year of the Rabbit. Below, Tiler Peck discusses what Tchaikovsky Pas de Deux means to her—she'll be dancing the work April 25 with Joaquin De Luz.


Bold Moves at Cincinnati Ballet

This three-part program running April 26-29 features world premieres by contemporary choreographers Jennifer Archibald and Kate Weare as well as the company premiere of Justin Peck's Murder Ballades (set on the company by Patricia Delgado). Archibald is the company's resident choreographer (the first woman to hold that title in its 40-year history). With a body of work ranging from hip-hop to ballet, we're excited to see what this new piece will bring.



Wonderbound Presents a Zany Take on Mozart

The Denver-based company debuts Madness, Rack and Honey April 27–May 6 with live music by the Colorado Symphony. The program is comprised of two works, both to Mozart. Garret Ammon's Madness, Rack and Honey opens the program—the title comes from the a collection of lectures by the poet Mary Ruefle. Ammon made the piece for Smuin Ballet in 2016. Company dancer Sarah Tallman's world premiere titled I Didn't Hear You, I Was Away with the Fairies also pulls from poetry (namely Langston Hughes and E.E. Cummings). Catch a glimpse in the below trailer.



World Premiere at New York Theatre Ballet

April 27-29, New York Theatre Ballet presents a world premiere by British choreographer Richard Alston alongside encore performances of three rarely seen Jerome Robbins ballets—Septet, Concertino and Rondo—in honor of his centennial. With live music throughout, the program, held at Florence Gould Hall in NYC, is sure to excite. Alston's The Seasons is described as a meditation on the cycle of a year in nature, with inspiration from Indian philosophical thought.


Charlotte Ballet Beckons In the Spring

Charlotte Ballet's April 26-28 Spring Works program features works by three choreographers new to the company: former Charlotte Ballet dancer Bryan Arias, Helen Pickett and Filipe Portugal (this program marks his North American choreographic debut). Also on the program is Ohad Naharin's Minus 16. You can check out why the dancers are excited about Spring Works in this article, and catch a glimpse of Minus 16 in fast-paced trailer below.


Festival Ballet Providence Goes Under the Sea

Festival Ballet Providence presents its season finale April 27-29. Mark Diamond's Little Mermaid will incorporate multi-media elements and delve into the famous fairy tale with a full cast of characters, including students from the Festival Ballet Providence School. The show also marks the final performance for company dancer Alan Alberto. Check out these whimsical costumes and sets in the below trailer.


Ballet du Grand Théâtre de Genève is in NYC

The Switzerland-based contemporary ballet company returns to NYC's Joyce Theater April 24-29 with Swedish choreographer Pontus Lidberg's full-length ballet Une Autre Passion, an abstract take on Bach's Saint Matthew Passion.


Tudor, Balanchine and Ashton at Sarasota Ballet

Closing out their 2017-2018 season, Sarasota Ballet presents Great Masters of Dance April 27-28. The program features four works: Antony Tudor's The Leaves Are Fading, George Balanchine's Bugaku and Tarantella, and Sir Frederick Ashton's Marguerite and Armand. Balanchine originally choreographed Bugaku for New York City Ballet in 1963; it portrays a Japanese wedding ceremony, paying tribute to the refined elegance of Japanese music and dance. Principal Logan Learned will be dancing Tarantella in his farewell performance with the company.

Ellen Overstreet and Ricardo Rhodes in "Bugaku." Photo by Frank Atura, Courtesy Sarasota Ballet.

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Peter Mueller, Courtesy Cincinnati Ballet

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A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

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Gone are the days when you had to skip college in order to have a successful ballet career. College ballet programs are better than ever before, providing students with the training, professional connections and performance experience they need to thrive in companies postgraduation. But given the number of elements involved in the application process, choosing the right program can feel daunting. We've broken the college application timeline down step by step to help you best approach each stage along the way.

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