Guillem in Mats Ek's "Bye," photo by Bill Cooper, courtesy New York City Center

November in NYC is rich with stars and shows that can't be missed.

From November 3–8, Wendy Whelan and Jock Soto reunite onstage at the Brooklyn Academy of Music for Hagoromo, a production that uses elements of Japanese Noh theater to tell the story of an angel who falls to earth. Though Whelan will always remain an iconic ballerina, the show will undoubtedly reveal new elements of her artistry by pushing her into uncharted territory.

Troy Schumacher's BalletCollective will have its fall season at the NYU Skirball Center on November 4–5. Invisible Divide will feature two world premieres and two older works. The company includes dancers from New York City Ballet, performing Schumacher's athletic, vibrant choreography. After his second successful premiere for NYCB's fall season, we're all looking forward to what Schumacher will do next.

The legendary Sylvie Guillem will grace the stage in the U.S. for the last time, November 12–14. Her touring show, Life in Progress will stop at the New York City Center and will feature work made especially for Guillem, as well as a tribute to influential choreographer William Forsythe.

 

For more news on all things ballet, don't miss a single issue.

 

 

The Conversation
News
Ma Cong in the studio with Tulsa Ballet. Courtesy Tulsa Ballet.

Without him we wouldn't have The Nutcracker, Swan Lake or Sleeping Beauty. But how much do you know about Pytor Ilyich Tchaikovsky, the man behind classical ballet's most recognizable music? Did you know that the Russian composer hid his homosexuality for much of his life? He also struggled with depression; there's been speculation that his death in 1893 was in fact a suicide.

Tulsa Ballet resident choreographer Ma Cong dramatically recounts his life in a new full-length ballet titled Tchaikovsky: The Man Behind the Music, premiering March 29-31. If you think a story ballet about the most renowned composer of story ballets set to, yes, a Tchaikovsky score, is a bit meta, you wouldn't be wrong. But considering the renewed importance of LGBTQ rights in society, it's a ballet perfectly timed to our era. In Russia, censorship still asserts that Tchaikovsky was not gay. The subject also calls to mind backlash surrounding an LGBTQ-themed work at Louisville Ballet just last month.

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The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

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