Photo by RJ Muna, Courtesy Mona Baroudi.
How would you describe the movement?
It's really varied. We've been recording some of the rehearsals and I got to see a little clip. There are some sections with a lot of flocking, when we all move at once, and I thought, Wow, we're going so fast! There's a lot of surprise and action, but at the same time, there are moments that just feel really good on the body. A lot of Alonzo's work comes from an internal place, so it's never this "putting on" or "doing of the steps."
What's been the most challenging part of the piece for you?
Matching the intensity of the music at times. These are wild animals that we're listening to, and while we're not always expected to necessarily match them in movement, I think we're playing off of it. When there is a lion roaring, clearly there needs to be some type of fire. I've been trying to work on that without going too far into left field.
Will the audience be able to recognize certain animal sounds?
There are obvious ones, like birds, and we have this really awesome section with bees buzzing. But for some of the sounds, we were definitely fooled. For one, I thought, Oh, that's a lion. But it was actually a wild pig.
Based on your experience with the company, what advice would you offer to dancers who are getting ready to launch their professional careers?
Stay true to yourself. I think growing up, whether it's in dance or anything, there's always this pressure to conform. But the older I get, the more I realize that the things that make you different are the highlights. Ultimately, I think that's what choreographers are looking for.
For even more interviews, tips, audition info and giveaways, sign up for our FREE e-newsletter.