Ballet Fantastique's Tracy Fuller and Gustavo Ramirez in Babes in Toyland. Photo by Bob Williams and Stephanie Urso, Courtesy BF.

Ballet Fantastique Creates a New Holiday Tradition With "Babes in Toyland"

Eugene, Oregon–based Ballet Fantastique debuts a forgotten holiday classic December 14–16. Babes in Toyland, co-choreographed and produced by mother-daughter duo and company directors Hannah and Donna Bontrager, pulls from source material ranging from Victor Herbert's original 1903 operetta to Disney's 1961 film. "We watched all the movies and read as many different versions of the story as we could find," says Hannah. The pair distilled the elements they liked best to create their own amalgamated plot. "The story is filled with joviality and lovable, familiar storybook characters," adds Donna. The cast also pays homage to the world's best-known holiday ballet, The Nutcracker. "We've added a character called Mother Gingerbread, and some gingerbread kids," says Hannah.



Donna, who also designed the costumes and sets, drew inspiration from the lavish, Technicolor world of 1950s and '60s Hollywood. "It has this soft nostalgia," she says. The ballet will be set to a custom big-band score, including pieces from Duke Ellington's jazzy Nutcracker, performed live by the Swing Shift Jazz Orchestra. The production features Ballet Fantastique's 17 dancers, as well as 20 students from the company's academy. "This has the potential to bring that holiday sense of community and wonder to our audience," says Hannah.

Latest Posts


Left to right: Dance Theatre of Harlem's Daphne Lee, Amanda Smith, Lindsey Donnell and Alexandra Hutchinson in a scene from Dancing Through Harlem. Derek Brockington, Courtesy Dance Theatre of Harlem

Dancers Share Their Key Takeaways After a Year of Dancing on Film

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons, whether conceiving cinematic, site-specific pieces or filming works within a traditional theater. And while there is a consistent sentiment that nothing will ever substitute the thrill of a live show, dancers are embracing this new way of performing.

Keep reading SHOW LESS

#TBT: Mikhail Baryshnikov in "Fancy Free" (1981)

In Jerome Robbins's 1944 ballet Fancy Free, three sailors on leave spend the day at a bar, attempting to woo two young women by out-dancing and out-charming one another. In this clip from 1981, Mikhail Baryshnikov, who was then both the artistic director of American Ballet Theatre and a leading performer with the company, pulls out all the stops to win the ladies' affections.

Keep reading SHOW LESS
Bethany Kirby, Courtesy Tulsa Ballet

An Infectious-Disease Physician on What Vaccines Mean for Ballet

As the coronavirus pandemic grinds into its second year, the toll on ballet companies—and dancers—has been steep. How long before dancers can rehearse and perform as they once did?

Like most things, the return to normal for ballet seems to hinge on vaccinations. Just over 22 percent of people in the U.S. are now vaccinated, a way from the estimated 70 to 85 percent experts believe can bring back something similar to pre-pandemic life.

But what would it mean for 100 percent of a ballet company to be vaccinated? Tulsa Ballet artistic director Marcello Angelini is about to find out—and hopes it brings the return of big ballets on the big stage.

"I don't think companies like ours can survive doing work for eight dancers in masks," Angelini says. "If we want to work, dance, and be in front of an audience consistently and with the large works that pay the bills, immunization is the only road that leads there."

Keep reading SHOW LESS

Editors' Picks