I'm a college freshman, and my dance program isn't challenging enough. We only have ballet three times a week and a few hours of modern, and my classmates aren't as dedicated as I am. There's a small dance company nearby, where I was hoping to take extra classes, but I don't have a car. I want to transfer, but I feel like I won't be in good enough shape for auditions. —Tara


I think you should trust your gut that you're not in the right college program. I'm sure that must be frustrating, but you seem to have a lot of motivation. Try not to lose that as the year progresses, because you need to push yourself in a way that your school isn't.

On the days you don't have ballet, or on weekends, find an empty studio and give yourself class. Even if you're short on time, a ballet barre and pointework exercises can help you maintain your technique. Take advantage of any cross-training equipment your college provides, too, such as Pilates reformers or ellipticals, to keep your core strong and your endurance up. And make the most of the few ballet classes you are getting—challenge yourself by repeating combinations with another group, adding relevé to barre exercises, like adagio, and incorporating batterie to petit allégro.

I also wouldn't give up on the nearby company just yet. Is it possible to bike there, take public transportation or use a ride-sharing service? All of this extra work may feel like a hassle, but keep your eye on the prize—it will be worth it once you transfer to the right school.

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Rachel Neville, Courtesy Ellison Ballet

If you've got your heart set on dancing for, say, San Francisco Ballet, you should attend a school that specializes in Balanchine, right? Not necessarily: It's actually a misconception that you have to train in a particular style or technique in order to pursue a career in that style. Ellison Ballet in New York City—which specializes in Vaganova technique—is living proof: Graduates of Ellison's year-round program and summer intensives go on to ballet companies that perform in a wide range of styles, and use what they've learned from Vaganova to land jobs.

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Students at Ellison Ballet's Classical Pas de Deux Intensive learning the pas from Don Quixote. Rachel Neville, Courtesy Ellison Ballet.

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