An American First: Sarasota Ballet Dances Ashton's "Enigma Variations"

Iain Webb rehearses Victoria Hulland in Sir Fredrick Ashton's The Two Pigeons. Photo Courtesy Sarasota Ballet.

Sarasota Ballet artistic director Iain Webb approached Tony Dyson—owner of Sir Frederick Ashton's Enigma Variations—about obtaining choreographic rights without knowing the historic 1968 ballet had only ever been performed by The Royal Ballet and Birmingham Royal Ballet.


Fortunately, the request occurred during the May 2014 Sir Frederick Ashton Festival in Sarasota, at which Dyson watched Webb's dancers perform 14 Ashton works. “I think it gave him the trust to give the ballet to us," Webb says. “He knew we'd respect it." Webb was, in fact, a protégé of Ashton's, and Sarasota Ballet is noted as the preeminent American expositor of the choreographer's work.

Thus the April 8 premiere of Enigma, staged by British dance notator Patricia Tierney, was the first time an American company performed the work, set to a score by Edward Elgar.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

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Herman Cornejo in Don Quixote. Gene Schiavone, Courtesy ABT.

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