Are private lessons necessary? I think I'd improve more quickly, but I'm already really busy. —Sarah

Private coaching, while expensive, certainly has benefits—it allows you to fine-tune small details or concentrate on specific things you're having trouble with (such as pirouettes or petit allégro). They're especially helpful if you're behind for your age, have some serious bad habits or if you're preparing a solo.


But busy dance students also need time for homework, family, socializing and rest. If you're already struggling to keep up with a heavy schedule, it's better to hold off on private lessons for a time when you can really focus—after your performance season is over, for instance, or during summer, winter or spring break. That way, you're better equipped to mentally and physically handle the intensity. And keep in mind that some schools frown upon private lessons, especially if you're working with an outside teacher. Make sure your studio is okay with it first.

Do you have a question for Amy? Send it to her here, and she might answer it in an upcoming issue!

Ballet Stars
From left: Douane Gosa, Gianni Goffredo, James Whiteside, Maxfield Haynes and Matthew Poppe in WTF. Yo Poosh, Courtesy Kimberly Giannelli PR.

We've always known that Madonna loves dance. After all, the "Queen of Pop" studied at the Martha Graham School in the 1970s. Nevertheless, we were still surprised (and thrilled) to see that she invited James Whiteside to perform at her 61st birthday party in The Hamptons last weekend.

Keep reading... Show less
Giveaways
Modeled by Daria Ionova. Darian Volkova, Courtesy Elevé Dancewear.
Keep reading... Show less
News
Boston Ballet's Kathleen Breen Combes, María Álvarez and Dawn Atkins. Christopher Duggan, Courtesy Jacob's Pillow.

Wonder what's going on in ballet this week? We've rounded up some highlights.

Keep reading... Show less
Ballet Stars
Alexandra MacDonald (front row, third from left) didn't win a medal at the Genée International Ballet Competition, but says she came home inspired and newly motivated by the people she met there. Photo Courtesy Genée IBC.

Ballet competitions are an exciting part of any dancer's career. Yet while scholarships, prize money, job offers and the prestige that comes with winning a medal are compelling incentives to participate in one, they're not the only benefits. In fact, many dancers who go home empty-handed still look fondly on the experience and go on to become successful professionals.

This week, the 2019 Genée International Ballet Competition kicks off in Toronto. From August 20-29, over 50 dancers, ages 15–19 and trained in the Royal Academy of Dance syllabus, will perform three solos in the hopes of winning a medal and a $10,000 cash prize. Many past medalists have gone on to illustrious careers—but so have those who didn't win anything. We spoke with three Genée alumni now dancing professionally who know what it's like not to place. Read on to find out why they deem their comp experiences a success, and how you can make the most of yours—whether you win or not.

Keep reading... Show less