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Anne of Green Gables Dances off the Page in Ballet Jörgen World Premiere

Kevin Lloyd Photography, Courtesy Ballet Jörgen

Canada's Ballet Jörgen is committed to telling Canadian stories by Canadian choreographers. For its next full-length ballet, director Bengt Jörgen turned to what he calls "perhaps the most quintessential Canadian story" of all time: Lucy Maud Montgomery's beloved 1908 novel Anne of Green Gables, about the flame-haired, precocious orphan Anne Shirley. Jörgen is choreographing the work, which will debut in Halifax, Nova Scotia (not far from Anne's fictional home in Avonlea, Prince Edward Island), on September 28 before embarking on a two-year tour of Canada and the U.S.


For Anne of Green Gables – The Ballet, Jörgen is collaborating with Alexander Levkovich, who's orchestrating a version of the Anne of Green Gables: The Musical score, and costume and set designer Sue LePage. "Anne is a strong, female character who's exuberant, bubbly and emotional, and made to dance," says Jörgen. "People connect with this work because she's human. It doesn't matter what time period you put Anne in; she's universal."

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Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

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Rachel Neville, Courtesy Ellison Ballet

If you've got your heart set on dancing for, say, San Francisco Ballet, you should attend a school that specializes in Balanchine, right? Not necessarily: It's actually a misconception that you have to train in a particular style or technique in order to pursue a career in that style. Ellison Ballet in New York City—which specializes in Vaganova technique—is living proof: Graduates of Ellison's year-round program and summer intensives go on to ballet companies that perform in a wide range of styles, and use what they've learned from Vaganova to land jobs.

Here are five reasons why studying Vaganova technique can actually make you a sought-after dancer for any number of ballet companies:

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Dancers certainly don't need anyone to tell them how physical their profession is. But now, we have the data to prove it.

Researchers at InsuranceProviders.com analyzed data from the Occupational Information Network (O*NET), a national organization developed through support from the U.S. Department of Labor/Employment and Training Administration, to determine the 20 most physically demanding jobs in the country. They analyzed the level of strength, stamina, flexibility and coordination required for a host of jobs, and each category was assigned

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Ballet Stars

At the end of Swan Lake's Act I, Prince Siegfried finds himself alone after guests have departed from his birthday celebration, processing the news that he'll soon need to choose a wife. The soul-searching prince dances an introspective, almost mournful solo that is one of the most challenging male variations in the classical repertoire. Rudolf Nureyev, a formidable performer and a relentless technician, gives an inspired interpretation of the solo in this clip from a 1964 Vienna State Opera performance.

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