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After 20 Years, William Forsythe Creates a New Ballet for an American Company

Boston Ballet in rehearsal with William Forsythe. Liza Voll, Courtesy Boston Ballet.

In 2016, Boston Ballet officially brought William Forsythe back to the U.S. after the revolutionary choreographer's four-decade European career. A five-year partnership with the company promises that Forsythe will add at least one piece to its repertoire each year, and it gives him an American home base for creating new work. Boston Ballet's Full on Forsythe program, March 7–17, features the world premiere of Playlist (EP), his first new ballet for an American company in more than two decades, as well as Pas/Parts 2018 and the North American premiere of Blake Works I.


Playlist (EP) expands on Playlist (Track 1,2), a showstopper for 12 men that premiered at English National Ballet last April. For the "extended play" version, Forsythe is revisiting the initial sections and adding three new movements incorporating female dancers. The ballet, featuring music by Abra and Cole King with Tunji Ige, is classically based but infused with the spirit of hip hop, house, R&B and funk. Forsythe says the intricate rhythms and counterpoint of these popular musical styles "support strict balletic structures really well...This is actually quite a traditional approach but looks fresh because we are unaccustomed to hearing these particular musical genres function as the foundation for works whose contents are exclusively balletic." He hopes that the juxtaposition of contemporary popular music with classical ballet will reinforce for audiences the relevance of the art form.

Summer Intensive Survival
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There's a sweet spot toward the end of August—after summer intensives have wrapped up and before it's time to head back to school or work—where the days are long, lazy and begging to be spent neck-deep in a pile of good books. Whether you're looking for inspiration for the upcoming season or trying to brush up on your dance history, you can never go wrong with an excellent book on ballet. We've gathered eight titles (all available at common booksellers like Amazon and Barnes and Noble) guaranteed to give you a deeper understanding of the art form, to add to your end-of-summer reading list.

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James Yoichi Moore and Noelani Pantastico warm up onstage. Angela Sterling, Courtesy SDC.

On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.

SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.

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Roman Mejia in Robbins' Dances at a Gathering. Erin Baiano, Courtesy NYCB.

The Princess Grace Foundation has just announced its 2019 class, and we're thrilled that two ballet dancers—New York City Ballet's Roman Mejia and BalletX's Stanley Glover—are included among the list of über-talented actors, filmmakers, playwrights, dancers and choreographers.

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The Royal Ballet's Alexander Campbell and Yasmine Naghdi in Ashton's The Two Pigeons. Tristram Kenton, Courtesy ROH.

While most ballet casts are 100 percent human, it's not unheard of for live animals to appear onstage, providing everything from stage dressing to supporting roles. Michael Messerer's production of Don Quixote features a horse and a donkey; American Ballet Theatre's Giselle calls for two Russian wolfhounds; and Sir Frederick Ashton's La Fille Mal Gardee requires a white Shetland pony. Another Ashton masterpiece, The Two Pigeons, is well known for its animal actors. But though ballet is a highly disciplined, carefully choreographed art form, some performers are naturally more prone to flights of fancy—because they're birds.

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